For its 2023 edition, the International Film Festival in Cannes called the Nantes based studio Appelle Moi Papa to rethink the invitations and menus for official dinners. All the compositions were hot-foil stamped with gold on white paper. Between modernity and classicism, the official sans serif from the festival identity, Foundry Monoline, is paired with the voluptuous Carta Nueva, a typeface designed by My-Lan Thuong. This pointed-nib calligraphy inspired typeface underlines the refinement and the glamour of the event in Cannes. This was printed by La Maison des Impressions in Paris.

In 2001 and 2002, Berlin-based studio Fernkopie designed a series of lovely posters in landscape format for Komische Oper.

The Sinfoniekonzert subseries uses DTL Nobel, the revival of S.H. de Roos’s Nobel by Andrea Fuchs and Fred Smeijers, in regular-wide and condensed widths.

DTL Nobel also appears for the small print on the poster for Rossini’s Der Barbier von Sevilla. The display typefaces are Karolys Italique and tracked out Quigley Wiggly [edit: Filmotype Holly].

Charles Gounod’s Romeo und Julia is presented in Carpenter Script and Foundry Monoline.