Overseen by Robert Harling, Stephenson Blake’s reinterpretation of 19th-century French Antique wood type [Millington 2002]. Slightly narrower than Caslon’s French Antique but not as compressed as Page’s. Copied by Baltotype as Trylon, with added shaded styles, see Trylon Shaded.
Face’s phototype version [Face c. 1981] and Bitstream’s digitization are distinguished by squarer forms and an ‘A’ with top bar.
Photo(s) by Bart Solenthaler on Flickr.
Contributed by B.J. Winzer
Contributed by Garrison Martin
Contributed by Stephen Coles
Contributed by Michael Bojkowski
Contributed by Florian Hardwig
Contributed by Yannick Prangère
Contributed by thankyoucokieroberts
Contributed by Owen Gardner
Contributed by Sunny Schultz
Photo(s) by cardboardamerica@gmail.com Jordan Smith on Flickr.
Contributed by Jayce Wheeled
Contributed by Ignacio Bravo
Contributed by Jason Timmons
Photo(s) by mikeyashworth on Flickr.