Designed by Otto Hupp for Genzsch & Heyse. Not to be confused with Georg Schiller’s Neudeutsch. See also the bolder Baltisch.

There are two digitizations that appear to be related, in terms of outlines. One is a freebie by Petra Heidorn (2004) [Fraktur Mon Amour; an ‘MK’ signature in one of the glyphs suggests the involvement of Manfred Klein], the other one is a commercial version by Gerhard Helzel (2003) that comes with decorated initials for two-color settings.