The visual identity of Roma Jazz Festival 2025 was designed by Studio Mistaker, using Elastik designed by Benoît Bodhuin:

For its 2025 edition, Roma Jazz Festival explores spirituality as the core of its visual identity, interpreting jazz as an inner and transcendent journey.
The concept is expressed through the metaphor of the landscape – conceived as an immersive, contemplative space inspired by contemporary environmental art practices.

Old Habits, New Beginnings (Alte Gewohnheiten – neue Anfänge / Stare Nawyki, Nowe Początki) is a solo publication by Anna Raczyńska – a 200+ page, dual-sided Polish–German catalog with two covers and a central English section – reflecting the transdisciplinary nature of the artist’s practice from the past ten years.

Featuring 178 photographs from projects across Europe, with essays by Michalina Sablik and Sophia Scherer, and graphic design by Karolina Pietrzyk and Tobias Wenig, the publication functions as both documentation and a point of departure for future work. The typeface used throughout the book is Elastik designed by Benoît Bodhuin.

Posters designed by Hani Wibowo for the design talks with Golnar Kat Rahmani and Sarah Fricke & Lea Sievertsen of Distaff Studio at UdK Berlin’s Klasse Kampagnen.

Printed at the art school’s in-house screen printing workshop. The fonts in use are Ready Bygone by Plain Form and Elastik by Benoît Bodhuin.

Henry Monse (from studio Karl Anders) created here a cool visual identity and art direction based on a pair of fonts – Vroum Gti (from lift-type) and Elastik (from Benoît Bodhuin) – for Verde e Bianco Pazzo, the biggest Werder Bremen fanclub in Hamburg. Both Vroum Gti’s upright and “Decalic” styles are used. The latter is an italic where every next segment of a character – bottom, middle and top part – is shifted a bit more to the right, creating a slanted effect.

Visual identity and website for Jardin C, an outdoor place in Nantes dedicated to experimental culture. As the garden is an outside venue, every event organized there is very sensitive to the weather. The website has indicators for the current time, temperature and humidity.

For the 2023 poster series, Elastik is the sole typeface used. It focuses on the concept of growth, utilizing the dots of the letter i as illustrative elements.

Câlin is a guesthouse in Valréas, Provence, intended for complete isolation and indulgence. From the About page:

Câlin can be found nestled in an unusually secluded and calm setting in the southeast of France. With undisturbed views on long stretched wine fields, trees and mountains, actual peace and quiet is what first meets the senses at this exclusive Provence property.

The elongated accent shapes come from the typeface Elastik which serves as a foundation for this logo. They are reminiscent of time stretching out. Both accents can move freely up and down, as if being blown away by a forceful gust of Mistral wind.

Because of Elastik’s extreme weights, there was only one brand font needed to create the whole Câlin identity.

Poster campaign and illustrations for The Walker’s annual Skyline Mini Golf event of 2022 which features a ten holes artist-designed course on the rooftop of The Walker.

Designed: Studio Elana Schlenker and Jordi Ng
Illustrations: Jordi Ng
Typeface: Elastik regular C by Benoit Bodhuin.

Artificio’s Mix Tape Vol 01, ft. PT Mono.

Artificio is an independent electronic music record label, established in Antioquia, Colombia, using vinyl records for its mixes.

Being a label that was born during the pandemic, Artificio chooses to express the idea of ​​sound as a detonation that transmutes the body and allows to reconstruct a devastated world. It sought to communicate this concept of transmutation in the logo, through the superposition of two typefaces, Elastik and Sword.

Album cover ft. TWK Everett.

Guide de l'étudiant 2019–2020 of l’Ésac Cambrai. This guide for students of the art academy of Cambrai, France was distributed to the students at the beginning of the current school year. 112 pages, 17×24 cm, offset printed in four spot colors (black, yellow, Pantone blue 072 and 806) by Jelgavas Tipogrāfija. Designed by Antonin Faurel and Benoît Bodhuin, the book consists of two superimposed parts. A decorative part – sarcastic, composed of flat colors and flower photos (without black) – holding the other one, informative (only in black on white).

Type: Pickle-Standard (1) and Elastik C regular by bb-bureau.

Hellavision Television Animation Show is a series of episodic experimental animation screenings and zines. Screenings are held quarterly, free to the public. Anyone and everyone is welcome to participate. Artists are encouraged to create work as quick as possible and without self-judgement. The show ran from June 2017 to June 2018.

All of Hellavision’s promotional images, posters, title sequences etcetera are designed by (co-)founder Peter Steineck. For the final show, he mixed styles of Elastik by Benoît Bodhuin – a grotesk that comes in four pre-stretched styles. Its tittles, punctuation and some other glyphs like the ampersand change from extremely wide to extra condensed in its four styles, while the upper- and lowercase glyphs change width in a more relaxed pace.

In Steinbeck’s hands, Elastik proves itself as a natural companion for music and movement in the end titles (watch the video below).

Elastik by Benoît Bodhuin in use in a brochure for the Stellwerk theater in Weimar, designed by Mateusz Zieleniewski in collaboration with Sébastien Millot.

Our friends from Rōnin Recordings (see also this post) are ready for their second release: RR002 / Hysteresis by Rodolfo Cruz, a Mexican producer and audio engineer based in Los Angeles, California. They want to keep the visual language from the last release, but this time with an ethic mexican touch. We got inspired by the intro of one of the most classic movies in history: Psycho, and also by the meaning of the word “Hysteresis” (the dependence of the state of a system on its history). Using a graphic as the principal element of the art, we also took the magnetic force concept from the Hysteresis effect to complete the visual elements used in the rest of the identity.

The typography combines Monument Grotesk Regular by ABC Dinamo, with Nocturne Serif by Mateusz Machalski. The name of the recording studio is set in Benoît Bodhuin's Elastik.

From the exhibition website:

HERE, NOW — This is a pivotal moment in our lives and careers, as well as in London, Europe and the rest of the world. In this exhibition, we are responding to these shifting socio-political and technological landscapes, commenting on the complex nature of our increasingly hyper-connected world.

Benoît Bodhuin's Elastik in use for an artist's book from South Korea. Island, designed by Kang Joosung, consists of artworks that will be exhibited at Factory2 in Seoul from 11 May to 2 Jun 2018.

The book contains etching works by Choi Kyungjoo, plus a soundtrack by Lee Dongyoul (trumpet) and Kim Kieun (guitar). The musician recorded the island title song and added eight related tracks. To include sounds from various spaces, the music was recorded in three different spaces (AP shop, Studio Araby and Kim Jongwan’s Atelier). The 27 etching prints by Choi Kyungjoo are inspired by the songs and printed at Printon in Tallinn, Estonia.

Size: 230×310mm, 54 pages
Binding: hardcover, hand-sewn binding
Print: offset, silkscreen

Poster, riso-printed by Corners Printed, Korea

Rōnin Recordings is an electronic label based in Mallorca, Spain. We’ve worked for them since day one. On this opportunity we helped creating the first release of Azor. Inspired by moiré effects and the wings of Azor, we created the art of this EP and extended the design to matching artwork, posters, banners and social media content.

Design by O hezin for Korean space design studio IWMW with Elastik type

Stockholm’s nightlife institution Trädgården (The Garden) is kickstarting the summer season with a set of fresh graphics using the extreme weights of Benoît Bodhuin’s Elastik. Hopefully this year the vibe will be able to keep up with the graphics.

The already rather monstrous Karloff Negative Bold in a combination of faux italic and italic on an angle.

Good Room poster by Bráulio Amado with Elastik typeface.