From the Flora website:

Natur- und Erlebnishof Flora e.V. is a non-profit association that fosters participation and lived inclusion right in the heart of Heitlingen.

A place to arrive, catch your breath, and simply be.

Whether young or old, people and animals alike can meet here on equal footing—far removed from the pressures of performance and expectation.

We firmly believe that nature, time, and genuine connection open up spaces where personal growth can unfold quite naturally.

Here, on our nature and adventure farm, we build a bridge between people, animals, and the environment.

Flora’s identity and website were designed by Hildesheim-based Studio Zwille.

Other than the logotype, which appears to be custom lettering, the identity is based on the Fictional typeface as well as illustrations.

The website is fully set in Fictional, except for the main navigation, which is set in Poppins.

Brite by Scotch-Brite is a new line of kitchen cleaning tools from 3M, launched March 1, 2026, at Target, Walmart, and Amazon. The collection – which includes a Dishwand, Palm Scrubber, and Scrub & Wipe, each with a matching Drain & Dry Stand – is designed to sit on the counter rather than hide under it, targeting Gen Z and millennial consumers who want their cleaning tools to reflect their personal style.

From 3M:

Your cleaning routine is about to get a serious glow-up – the first collection of its kind shaking up the category with bold, beautiful, and thoughtfully-designed tools that prove everyday essentials don't have to be boring.

OH no Type Co.’s Ohno Softie appears throughout the campaign in its Black weight, driving the display typography across packaging, in-store materials, and social content. The font's fully rounded terminals and soft negative spaces make it a natural fit for a product line built around the idea that cleaning can feel good – its warmth and bounce matching the collection's bold fuchsia, yellow-green, and teal color palette. The supporting sans is Poppins.

Product, packaging, and identity design by Katlyn Echeverri, Brand Design Principal at 3M.

Le Concert de l’Hostel Dieu is an orchestra based in Lyon, France. Created by Franck-Emmanuel Comte in 1992, the ensemble has gained widespread recognition for its 70 to 90 annual performances, making it one of the leading players on the European baroque stage.

Their main actions defend the originality and specificity of baroque manuscripts kept in the Auvergne-Rhône-Alpes region's libraries, testifying their close link with baroque Italy. They aim to make classical music accessible for all through collaborations, intergenerational events and partnerships with local associations.

We reimagined the visual identity for beckn, a universal protocol enabling open, decentralised digital ecosystems. The world carries interconnectedness in its pocket, yet continues to function in silos. Envisioned as free, open, and accessible, the internet’s promise remains uneven – one that beckn reimagines through open, decentralised digital ecosystems.

Having built beckn’s identity in 2020, the brand language was evolved from a quiet, minimal presence into one that feels bold, empowering, and deliberately counter-intuitive. Rooted in the metaphor of the rhizome – a non-linear, interconnected network – the refreshed system reflects how the internet actually works. At the core of the identity is an organic rhizome grid layered with a structured framework, balancing dynamism with order. A visual language built from three geometric forms circle, square, and pentagon – represents the ecosystem’s diverse participants.

Noto Serif forms the typographic foundation of the visual identity. Chosen for its open-source, multilingual foundation – supporting over 1,000 languages and more than 150 writing systems – it echoes beckn’s vision of an internet that is accessible, inclusive, and not owned by any single entity. Its considered, universal character reinforces the protocol’s role as shared infrastructure, while its classical structure introduces a counter-intuitive presence within a decentralised, technology-driven context. The supporting typeface, Poppins, provides a contemporary geometric contrast, bringing clarity and functional precision across digital interfaces.

Volver is a space in Barcelona where families can find balance and authenticity through music, yoga, and movement. According to their website (translated), Volver focuses on “body, play, movement […]  and unhurried shared time. A space where each family finds its own rhythm, observes more, and demands less.”

The identity was designed by local studio Instinto with a customized version of Gaya for the logotype.

Bålder Quartet is a Finnish string quartet playing classical music together since their launch in 2018. In January 2026 they revealed a new visual identity, designed by David Matos / Shutupandance using Poppins throughout, plus Bloyd for the logo.

The stacked lines symbolise the core composition of a string quartet. It alludes to the two violins, the viola and the cello (and, by extension, the four musicians). Each line can also be seen as representing the four strings, common to all instruments in the quartet.

The logotype can take on different shapes by shifting characters, together or individually, along their vertical axis (i.e. baseline), evoking the sensation of sound, music, and rhythm. It can be animated in several ways — for example, reacting to sound as a backdrop projection in live settings.

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Presentable is a design studio website built around the idea of celebration as a cultural and emotional system. Typography plays a central role in establishing contrast between clarity and expression across editorial content, navigation, and large typographic statements.

Young Serif is used as the primary display typeface, most notably in oversized headings and key statements. Its sharp geometry and contemporary construction introduce tension against the otherwise restrained layouts, allowing scale and color to carry emphasis rather than ornament.

Poppins functions as a stabilizing counterpart, used for supporting headings and structured content. Its even proportions and neutral tone help maintain legibility across dense informational sections without competing with the display typography.

Outfit is used for body copy and interface elements, chosen for its clarity at smaller sizes and its calm presence across longer passages of text. The typeface supports the site’s editorial pacing and ensures consistency across desktop and mobile views.

The overall typographic system relies on contrast in scale, spacing, and hierarchy rather than decorative styling, aligning with the studio’s focus on clarity, restraint, and craft in both cultural and lifestyle contexts.

With a new product range of edible gummies, 10X Athletic reached out to us to help create packaging that set it apart from their current brand and helped create a more premium position in the category.

We created a clean visual with crisp typography and bold colours. We featured the brand's big X icon in the background to lean into the brand’s equity, whilst also utilising bold colours to signal the flavour profile of the gummy products.

Lumina Travel Co. is a travel company that creates unique, story-inspired trips for women. They offer slow travel experiences, like exploring Europe at a relaxed pace, and literary tours based on favorite books. The goal is to make you feel like the main character of your own adventure, combining fun, culture, and a bit of magic. It’s for people who want meaningful, immersive travel that goes beyond typical vacations.

The typefaces used in the Lumina Travel Co website are Westiga by Pixesia Studio for the logo and main heading, Libre Caslon Display for some headlines, Poppins for subheadings and EB Garamond for reading text. Additionally, Pinyon Script is used for an editorial flourish in sub-headlines, IvyMode is used for the call to action and Italiana and South Wind for some selected text.

Maria Coassin is an Italian artisanal gelato and frozen dessert consultant and trainer. She established Gelatiamo in Seattle back in 1996 and she successfully ran the business until 2022 specializing in crafting exceptional gelato and creating tailored recipes. She now offers gelato consultancy to anyone who wants to learn the art of gelato making, perfect their product offering and grow their business.

Maria knows the world needs great gelato. And everyone should choose work that makes them happy. When working with Maria, people benefit from her managerial and entrepreneurial experience coupled with her gelato production expertise.

Her brand new narrative website focuses on what she does, how she does it, and on how her consultancies are structured. The text is set in Fraunces by Undercase Type and Poppins by Indian Type Foundry.

The logo was designed by Sunday Büro, with UX, UI, and creative direction by Marianna Rossi. Copywriting was done by Chiara Gandolfi and Balenalab, translations by Benjamin Thornton Barclay, coding by Gianluca Rinaldi, and photos by Joneil Gutierrez.

Key art for the 1.0 release of Abiotic Factor

Abiotic Factor is an open world survival single-player and cooperative video game developed by Deep Field Games and published by Playstack. It was released into early access on May 2, 2024 and was fully released on July 22, 2025. Players assume the role of a GATE employee, stranded deep within its underground research facility. After a catastrophic containment breach, players must use their brains and brawn to escape the facility by any means necessary all while avoiding military and paranormal forces.

Abiotic Factor uses Poppins as its branding typeface. It is seen used in most promotional material for the game. Poppins Black is used specifically for the game's logo. In game, the Black weight is also used as the headline font. It is paired with TeX Gyre Adventor for long bodies of text and can be seen used diegetically on wayfinding signs. Certainly very stylish if a bit hard to read on small text. Roboto is also used on the occasional piece of text, although this use feels more functional rather than stylistic. Interestingly, this is the pre-redesign version of Roboto that Unreal Engine 5 still ships with.

Logo. The A in the bottom line is replaced with GATE’s logo, the titular organization this game revolves around.

Main menu

Graphics settings

The game’s HUD, displaying multiple things such as button prompts, hotkeys, player status, active perks (seen on the left) and current mission objectives.

Inventory menu

A player ‘inventing’ a new crafting recipe by dragging in the correct ingredient, which unlocks when a player collects a new object. One of the few instances where the old Roboto is used.

Serbia Games Association (SGA) is a non-profit organization that supports the growth and international visibility of the Serbian video game industry. Founded in 2018, SGA connects game developers, artists, publishers, and educators, fostering collaboration and knowledge sharing. Through mentorship programs, workshops, and global partnerships, the association plays a key role in positioning Serbia as a rising hub for creative and technical talent in game development.

We designed and published SGA’s digital annual report for 2024 to spotlight key trends in Serbia’s gaming industry. The aim was to present complex data visually, highlight over 150 studios and 10 expert voices, and support SGA’s mission to boost industry visibility—all while aligning with modern digital standards.

Each year, we explore a fresh, creative approach. This time, we leveraged a new 3D design tool to generate all visuals, bringing a unique and contemporary aesthetic to the report.

The final report is clear, engaging, and accessible, blending humor with bold design to position Serbia’s gaming scene on the global map.

Serbia Games Association (SGA) is a non-profit organization that supports the growth and international visibility of the Serbian video game industry. Founded in 2018, SGA connects game developers, artists, publishers, and educators, fostering collaboration and knowledge sharing. Through mentorship programs, workshops, and global partnerships, the association plays a key role in positioning Serbia as a rising hub for creative and technical talent in game development.

We designed and published SGA’s digital annual report for 2022, highlighting key trends and statistics in Serbia’s gaming industry. The aim was to present complex data clearly and visually, promote over 150 local studios and 10 expert voices, and support SGA’s mission to boost industry visibility, all while aligning with modern digital standards.

We ended up with a top-notch digital report that aligns with industry standards. It features clear, engaging statistics presented in a light, humorous tone – eyecatching and easy to read. We successfully showcased over 150 studios and included around 10 expert articles, all delivered in a digestible and approachable format.

Serbia Games Association (SGA) is a non-profit organization that supports the growth and international visibility of the Serbian video game industry. Founded in 2018, SGA connects game developers, artists, publishers, and educators, fostering collaboration and knowledge sharing. Through mentorship programs, workshops, and global partnerships, the association plays a key role in positioning Serbia as a rising hub for creative and technical talent in game development.

We developed SGA’s digital annual report for 2023 to highlight key trends in Serbia’s gaming industry. The focus was on clear, visual storytelling – featuring 150+ local studios and ten expert voices – while reinforcing SGA’s mission and aligning with modern digital standards.

Each year, we take a fresh creative direction. For this edition, we embraced a bold visual style using AI-generated graphics, reflecting one of the year's most relevant industry themes. The final report is visually striking, easy to navigate, and highly informative, effectively positioning Serbia’s gaming ecosystem on the global stage.

The main typefaces in use are Poppins and NeueBit.

The condensed sans used for “150M€” is GT America Compressed Bold.

EverYou uses Orange Squash for its website and branding, including the logo and all marketing materials. Formerly known as Tender Loving Care (TLC), established in 1995, EverYou provides high-quality wigs, headwear, and recovery products to support individuals undergoing cancer treatment. These products help patients feel like themselves through hair loss and other side effects of treatment.

EverYou works with the American Cancer Society to ensure each product meets the needs of cancer patients. With the use of Orange Squash, EverYou creates a warm, welcoming identity that helps patients feel supported and empowered during their cancer journey.

Helsinki-based designer Anna Salmisalo from her design practice By your side created the packaging for Satokausi Rosé wine, boldly using Grand Slang (Nikolas Type) as the main and expressive typographic choice, beautifully accompanying her wonderful and colorful illustration style. Poppins (Indian Type Foundry) is used for the functional type.

After some retailer and consumer feedback, Sxollie approached Noramble to help refresh the brand for the next phase of brand growth. Tasked with delivering a new 4-pack design for the brand’s new premium retail ventures and a visual identity refresh to help the brand communicate more precisely and more effectively across all their touchpoints.

With retailers and consumers confused by the brand’s artificial look, we set out to help the brand look exactly how it tasted and acted: refreshing, bold, and honest.

We paired a cleaner font family with slightly softer colours to give the brand a more approachable look while retaining the bold appeal people love. We applied this approach to the visual refresh and their new 4-pack design to create a more approachable brand that was true to its direction.

Butter Baked Cookies + Cakes is a micro-bakery in Seminole, Tampa Bay, Florida. The Butter Baked logo was designed to feel fun and bright – playful but not overly sweet. We wanted it to have a light and airy quality, evoking the feeling of freshly baked treats. The top primary logos take inspiration from frosted cookies, with the drop shadow effect making each letter look like you could pick it up and take a bite.

Beyond aesthetics, versatility was a key consideration. The “cloud” version of the primary logo works well for large-scale applications, especially over images, adding a soft, dreamy feel. Meanwhile, the secondary logos were created with practicality in mind. The circular logos function perfectly as stickers or packaging seals, reinforcing the brand’s handcrafted charm. For embroidery or small-scale applications, the simplest logo (without the drop shadow or sparkles) is the best choice, ensuring clarity while maintaining the Butter Baked identity.

In 2024, Thanks for Nothing initiated the program of its future Art and Solidarity Center, scheduled to open in 2028 on the site of the former Hôpital Saint-Vincent-de-Paul. This ‘off-site’ program aimed to showcase international socially engaged artistic practices. The exhibition Resilient Currents: On Communal Re-existence inaugurated this cycle. Developed over the course of three years by independent curator Ilaria Conti, the exhibition highlighted multidisciplinary practices linked to Abya Yala (a Kuna term for Central and South America as a constellation of sovereign non-colonial, or decolonized spaces). The exhibition explored the working methodologies employed by the presented artists who acknowledged the urgency of practicing political, social, affective, and spiritual forms of action as part of a network of ethical relationships. Rejecting the limits of colonial systems of knowledge, the artists honored the plurality of worlds that such a commitment to the notion of the communal generates.

The TT Ramillas font was used to create the identity for The Maltings, a modern coastal hotel in North Norfolk, England.

The Maltings is a comfortable hotel by the sea with the country house feel. This is a perfect place for those who get tired of noisy cities and endless fuss. The Maltings offers a spacious restaurant with an open kitchen and uniquely styled rooms.