This is the front cover artwork for the first volume of the light novel 負けヒロインが多すぎる! (Too Many Losing Heroines!) written by Takibi Amamori and illustrated by Imigimuru.

The title is composed of three different fonts. The kanji characters (負, 多) are from Tsukushi Old Gothic by Fontworks. The kana characters use A1 Mincho by Morisawa, and the particle が uses Shuei Antique by Dai Nippon Printing.

The names of the author and the illustrator are set in a lightweight variant of Shin Go by Morisawa. Lastly, the English title of the novel uses Linotype's interpretation of DIN 1451 called DIN Next, with slight edits to make the text outlined.

The book with the obi included.

Cover design (and poster design) for the first issue in 2020 of the Japanese design magazine ブレーン / Brain. We took advantage of this space to transgress a little bit from the norm of what constitutes a cover illustration and thus made an arbitrary, non-exhaustive selection of beautiful books. This work also echoes our habit of making lists/classifications for everything, like movies, artists, restaurants, etc.

The typefaces use for the contribution are Lausanne 600 and Mono, both designed by Nizar Kazan. The Japanese fonts used for the magazine header are unidentified [edit: They have been identified by Akira, see comments].

From Kurppa Hosk:

Instead of the ordinary paper tear bar, the Ninjaplast box has a built-in cutting blade, making its wrapping “fumble free”. Kurppa Hosk was assigned to create an equally strong package design.

Virtually all cling-wrap brands look similar. They all use bright colors in their package designs, along with images of food. Kurppa Hosk chose to break the category tradition and work with a single-color box – in black. The main product feature was emphasized through clear messaging and illustrations in white and the new logotype helped place further focus on the unique cutting blade.

The result is a package design with strong differentiation in the product category. Kurppa Hosk trusts that Ninjaplast will be purchased not only for its excellent functionality, but also for its design. It might even become a kitchen item that consumers want out in the open rather than tucked away in a drawer.

LL Brown is paired with Japanese from a yet unidentified font in the Gothic style [edit: It is Shin Go — big thanks to Peiran and friends!].