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    <title>Gill Facia in use</title>
    <link>https://fontsinuse.com/typefaces/4957/gill-facia</link>
    <description>Gill Facia in use. Colin Banks’ typeface for Monotype is based on a signwriting style by Eric Gill designed around 1903–07 for W. H. Smith &amp;amp; Son.&#13;
&#13;
Gill’s alphabet was also interpreted by Radim Peško as Dear Sir/Madam (2011).</description>
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    <language>en</language>
    <copyright>Copyright 2026 , FontsInUse.com LLC</copyright>
    <pubDate>Tue, 21 Apr 2026 11:04:10 +0000</pubDate>
    <lastBuildDate>Tue, 21 Apr 2026 11:04:10 +0000</lastBuildDate>
    <ttl>3600</ttl>
    <item>
      <title><![CDATA[The Line Script Diary Journal, vol. 1–5]]></title>
      <link>https://fontsinuse.com/uses/25460/the-line-script-diary-journal-vol-1-5</link>
      <description><![CDATA[Contributed by <a href="/contributors/545/gareth-hague">Gareth Hague</a><br/><a href="https://fontsinuse.com/uses/25460/the-line-script-diary-journal-vol-1-5"><img src="https://assets.fontsinuse.com/static/use-media-items/128/127374/upto-700xauto/69b5648d/LDS_Shelf_1.jpeg"/></a><br/><br/><i><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/118/harbour"><img src="https://assets.fontsinuse.com/static/renders/1/118/400/4/69d743af/harbour.png"/></a><br/><a href="https://fontsinuse.com/typefaces/45/gill-sans"><img src="https://assets.fontsinuse.com/static/renders/1/45/400/4/69c4ea26/gill-sans.png"/></a><br/><a href="https://fontsinuse.com/typefaces/4957/gill-facia"><img src="https://assets.fontsinuse.com/static/renders/15/4957/400/4/698ded6d/gill-facia.png"/></a><br/><br/><blockquote>
<p>Line Script Diary is a Miami-based quarterly journal of text-based works edited and published by Alan Gutierrez, with contributions from local and international artists and writers. The scope of texts is limited only to the physical constraints of the journal’s format, in an effort to commission, cultivate, and distribute forms of experimental written language.—<a href="http://icamiami.org/calendar/lsd-vol-2-release-party/">ICI Miami</a></p>
</blockquote>

<p><a href="http://fontsinuse.com/typefaces/118/harbour"><strong>Alias Harbour</strong></a> is used for the LSD logotype, with <a href="http://fontsinuse.com/typefaces/45/gill-sans"><strong>Gill Sans</strong></a> and <a href="http://fontsinuse.com/typefaces/4957/gill-facia"><strong>Gill Facia</strong></a>.</p>

<p></p><br/><a href="https://fontsinuse.com/uses/25460/the-line-script-diary-journal-vol-1-5"><img src="https://assets.fontsinuse.com/static/use-media-items/128/127376/upto-700xauto/69b5648d/LDS_Shelf_3.jpeg"/></a><br/><br/><i><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/25460/the-line-script-diary-journal-vol-1-5"><img src="https://assets.fontsinuse.com/static/use-media-items/128/127375/upto-700xauto/69b5648d/LDS_Shelf_2.jpeg"/></a><br/><br/><i><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/25460/the-line-script-diary-journal-vol-1-5"><img src="https://assets.fontsinuse.com/static/use-media-items/128/127377/upto-700xauto/69b5648d/LDS_Shelf_4.jpeg"/></a><br/><br/><i><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/25460/the-line-script-diary-journal-vol-1-5"><img src="https://assets.fontsinuse.com/use-media/84457/upto-700xauto/69b53dcf/1/jpeg/LSD-3-1528x1146.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://www.linescriptdiary.com/the-lsd-journal" target="_blank" rel="noopener">www.linescriptdiary.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/25460/the-line-script-diary-journal-vol-1-5"><img src="https://assets.fontsinuse.com/use-media/84459/upto-700xauto/69b53dcf/1/jpeg/LSD-2-1528x1146.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://www.linescriptdiary.com/the-lsd-journal" target="_blank" rel="noopener">www.linescriptdiary.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/25460/the-line-script-diary-journal-vol-1-5">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/25460/the-line-script-diary-journal-vol-1-5</guid>
      <pubDate>Thu, 14 Mar 2019 11:38:37 +0000</pubDate>
      <author>Gareth Hague</author>
    </item>
    <item>
      <title><![CDATA[The Rodina Lecture: Action to Surface]]></title>
      <link>https://fontsinuse.com/uses/23641/the-rodina-lecture-action-to-surface</link>
      <description><![CDATA[Contributed by <a href="/contributors/18634/aamina-g">Aamina Ganser</a><br/><a href="https://fontsinuse.com/uses/23641/the-rodina-lecture-action-to-surface"><img src="https://assets.fontsinuse.com/use-media/76523/upto-700xauto/69b535ae/1/jpeg/The-Rodina_img_1.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://design.calarts.edu/therodina.html" target="_blank" rel="noopener">design.calarts.edu</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Jae Ee</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/4957/gill-facia"><img src="https://assets.fontsinuse.com/static/renders/15/4957/400/4/698ded6d/gill-facia.png"/></a><br/><a href="https://fontsinuse.com/typefaces/76/akzidenz-grotesk"><img src="https://assets.fontsinuse.com/static/samples/1/894/440/4/570e2072/akzidenz-grotesk.png"/></a><br/><a href="https://fontsinuse.com/typefaces/3424/eurostile"><img src="https://assets.fontsinuse.com/static/renders/4/3424/400/4/69e4c9af/eurostile.png"/></a><br/><br/><p>An <a href="http://design.calarts.edu/therodina.html">interactive web poster</a> for a lecture and workshop by <a href="http://www.therodina.com/">The Rodina</a> at CalArts entitled “Action To Surface.” The workshop’s goal was to rethink surface production in terms of performance. The designer Jae Ee writes, 'Unlike traditional posters, in which all form is flattened, all surface graphics on this poster are not fixed to respond to actions.'</p><br/><a href="https://fontsinuse.com/uses/23641/the-rodina-lecture-action-to-surface"><img src="https://assets.fontsinuse.com/use-media/76499/upto-700xauto/69b535ae/1/jpeg/The%20Rodina_img_2.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://jae.ee/" target="_blank" rel="noopener">jae.ee</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Jae Ee</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>Printed poster.</p>

<p></p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/23641/the-rodina-lecture-action-to-surface">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/23641/the-rodina-lecture-action-to-surface</guid>
      <pubDate>Sun, 04 Nov 2018 22:36:23 +0000</pubDate>
      <author>Aamina Ganser</author>
    </item>
    <item>
      <title><![CDATA[Undertone by Studio Marant]]></title>
      <link>https://fontsinuse.com/uses/16711/undertone-by-studio-marant</link>
      <description><![CDATA[Contributed by <a href="/contributors/12678/horrorvacuistudio">Camilo Gonzalez</a><br/><a href="https://fontsinuse.com/uses/16711/undertone-by-studio-marant"><img src="https://assets.fontsinuse.com/use-media/51454/upto-700xauto/69b51e1f/1/jpeg/undertonebystudiomarant.jpeg"/></a><br/><br/><i><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/4957/gill-facia"><img src="https://assets.fontsinuse.com/static/renders/15/4957/400/4/698ded6d/gill-facia.png"/></a><br/><a href="https://fontsinuse.com/typefaces/31926/ogg-display"><img src="https://assets.fontsinuse.com/static/renders/391/31926/400/4/69ca5ebb/ogg-display.png"/></a><br/><a href="https://fontsinuse.com/typefaces/10215/im-fell-dw-pica"><img src="https://assets.fontsinuse.com/static/samples/1/463/440/4/570e202e/im-fell-dw-pica.png"/></a><br/><br/><p>Artwork and visual identity designed for the latest exhibition of Studio Marant. Studio Marant is a Parisian consulting agency for creative and artistic projects, collaborations in art, fashion and design and a store specialized in limited editions.</p>

<p>Designed by <a href="http://www.horrorvacuistudio.com">Horror Vacui Studio</a> [edit: In 2024, the studio was renamed to <a target="_self" class="entity-link" href="https://fontsinuse.com/designers/6747/lareu-and-gonzalez-1" data-entity-code-id="6747" data-entity-code-type="Designer">Lareu & Gonzalez</a>.]</p><br/><a href="https://fontsinuse.com/uses/16711/undertone-by-studio-marant"><img src="https://assets.fontsinuse.com/use-media/51456/upto-700xauto/69b51e1f/1/jpeg/invite2.jpeg"/></a><br/><br/><i><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/16711/undertone-by-studio-marant"><img src="https://assets.fontsinuse.com/use-media/51457/upto-700xauto/69b51e1f/1/jpeg/undertonebystudiomarant.jpeg"/></a><br/><br/><i><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/16711/undertone-by-studio-marant"><img src="https://assets.fontsinuse.com/use-media/51458/upto-700xauto/69b51e1f/1/jpeg/invite_cocktail_sanstitre_2.jpeg"/></a><br/><br/><i><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/16711/undertone-by-studio-marant">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/16711/undertone-by-studio-marant</guid>
      <pubDate>Tue, 02 May 2017 06:00:45 +0000</pubDate>
      <author>Camilo Gonzalez</author>
    </item>
    <item>
      <title><![CDATA[Going Down Swinging magazine, issue 37]]></title>
      <link>https://fontsinuse.com/uses/15096/going-down-swinging-magazine-issue-37</link>
      <description><![CDATA[Contributed by <a href="/contributors/545/gareth-hague">Gareth Hague</a><br/><a href="https://fontsinuse.com/uses/15096/going-down-swinging-magazine-issue-37"><img src="https://assets.fontsinuse.com/use-media/48311/upto-700xauto/69b51a95/1/jpeg/GoingDownSwinging37_2A.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://goingdownswinging.org.au/going-down-swinging-37/" target="_blank" rel="noopener">goingdownswinging.org.au</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Matt Tambellini</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/39940/sabre"><img src="https://assets.fontsinuse.com/static/renders/43/39940/400/4/69328c03/sabre.png"/></a><br/><a href="https://fontsinuse.com/typefaces/4957/gill-facia"><img src="https://assets.fontsinuse.com/static/renders/15/4957/400/4/698ded6d/gill-facia.png"/></a><br/><a href="https://fontsinuse.com/typefaces/5545/literaturnaya"><img src="https://assets.fontsinuse.com/static/renders/42/5545/400/4/69dccb00/literaturnaya.png"/></a><br/><a href="https://fontsinuse.com/typefaces/31833/maison-neue"><img src="https://assets.fontsinuse.com/static/renders/367/31833/400/4/698c3d2e/maison-neue.png"/></a><br/><br/><p><a href="http://goingdownswinging.bigcartel.com/product/going-down-swinging-37">Going Down Swinging</a>:</p>

<blockquote>
<p>The latest edition of <cite>Going Down Swinging</cite> brings you the fierce talent of forty incredible writers.</p>

<p>Up-and-coming or proven, they’ll sweep you into the studios of Kurdish artists, lose you in the sprawling subway of Mexico City and have you squinting through the ochre dust-haze of Australia’s red centre. Brace for big losses, broken nostalgia, weird romances and clear-eyed discovery.</p>
</blockquote>

<p><a href="https://fontsinuse.com/typefaces/39940/sabre"><strong>Sabre</strong></a>’s <a href="http://www.myfonts.com/fonts/alias/sabre/">‘graphic, rather than typographic’</a> design takes reference from stone-carved lettering, also the idea of letters constructed from a set of component shapes, connected at a sharp point. It is used here at headline and text size, mixed with various serif and sans serif types.</p><br/><a href="https://fontsinuse.com/uses/15096/going-down-swinging-magazine-issue-37"><img src="https://assets.fontsinuse.com/use-media/48310/upto-700xauto/69b51a95/1/jpeg/GoingDownSwinging37_5A.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://goingdownswinging.org.au/going-down-swinging-37/" target="_blank" rel="noopener">goingdownswinging.org.au</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Matt Tambellini</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/15096/going-down-swinging-magazine-issue-37"><img src="https://assets.fontsinuse.com/use-media/48313/upto-700xauto/69b51a95/1/jpeg/GoingDownSwinging37_3A.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://goingdownswinging.org.au/going-down-swinging-37/" target="_blank" rel="noopener">goingdownswinging.org.au</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Matt Tambellini</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/15096/going-down-swinging-magazine-issue-37"><img src="https://assets.fontsinuse.com/use-media/48309/upto-700xauto/69b51a95/1/jpeg/GoingDownSwinging37_4A.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://goingdownswinging.org.au/going-down-swinging-37/" target="_blank" rel="noopener">goingdownswinging.org.au</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Matt Tambellini</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/15096/going-down-swinging-magazine-issue-37">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/15096/going-down-swinging-magazine-issue-37</guid>
      <pubDate>Mon, 12 Dec 2016 20:20:49 +0000</pubDate>
      <author>Gareth Hague</author>
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    <item>
      <title><![CDATA[The Pitch Project]]></title>
      <link>https://fontsinuse.com/uses/7803/the-pitch-project-1</link>
      <description><![CDATA[Contributed by <a href="/contributors/2091/saidbhjknasdj">Jason Panos</a><br/><a href="https://fontsinuse.com/uses/7803/the-pitch-project-1"><img src="https://assets.fontsinuse.com/use-media/23612/upto-700xauto/69b3d83c/1/jpeg/tumblr_n806lgNawx1qzybo0o1_r1_1280.jpeg"/></a><br/><br/><i><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/4957/gill-facia"><img src="https://assets.fontsinuse.com/static/renders/15/4957/400/4/698ded6d/gill-facia.png"/></a><br/><a href="https://fontsinuse.com/typefaces/7388/neuzeit-s"><img src="https://assets.fontsinuse.com/static/renders/8/7388/400/4/6914351d/neuzeit-s.png"/></a><br/><br/><p>
	Flyers for&nbsp;<a href="http://www.thepitchproject.org/">The Pitch Project</a></p><br/><a href="https://fontsinuse.com/uses/7803/the-pitch-project-1"><img src="https://assets.fontsinuse.com/use-media/23613/upto-700xauto/69b3d83c/1/jpeg/tumblr_n2fpksWWIP1qzybo0o2_1280.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://natepyper.tumblr.com/image/79562721096" target="_blank" rel="noopener">natepyper.tumblr.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Nate Pyper</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/7803/the-pitch-project-1"><img src="https://assets.fontsinuse.com/use-media/23640/upto-700xauto/69b3d83c/1/png/tumblr_inline_n2e3r6wiV91rwoy30.png"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://thepitchproject.tumblr.com/tagged/nate-pyper" target="_blank" rel="noopener">thepitchproject.tumblr.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/7803/the-pitch-project-1"><img src="https://assets.fontsinuse.com/use-media/23664/upto-700xauto/69b3d83c/1/png/tumblr_mwbtp95bTi1skmiz1o1_1280.png"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://thepitchproject.tumblr.com/tagged/news" target="_blank" rel="noopener">thepitchproject.tumblr.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/7803/the-pitch-project-1"><img src="https://assets.fontsinuse.com/use-media/23665/upto-700xauto/69b3d83c/1/png/tumblr_n8i5bvjtO21skmiz1o1_1280.png"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://thepitchproject.tumblr.com/tagged/nate-pyper" target="_blank" rel="noopener">thepitchproject.tumblr.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/7803/the-pitch-project-1">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/7803/the-pitch-project-1</guid>
      <pubDate>Thu, 09 Oct 2014 21:37:30 +0000</pubDate>
      <author>Jason Panos</author>
    </item>
    <item>
      <title><![CDATA[Critical Objects exhibition]]></title>
      <link>https://fontsinuse.com/uses/7799/critical-objects-exhibition</link>
      <description><![CDATA[Contributed by <a href="/contributors/4/stephen-coles">Stephen Coles</a><br/><a href="https://fontsinuse.com/uses/7799/critical-objects-exhibition"><img src="https://assets.fontsinuse.com/use-media/23596/upto-700xauto/69b3d83c/1/jpeg/HelloMe_CriticalObjectsFlyer_01.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://tillwiedeck.com/2012/10/critical-objects-catalogue/" target="_blank" rel="noopener">tillwiedeck.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>
	Exhibition invitation (back)</p><br/><a href="https://fontsinuse.com/typefaces/4957/gill-facia"><img src="https://assets.fontsinuse.com/static/renders/15/4957/400/4/698ded6d/gill-facia.png"/></a><br/><br/><p>
	“<em>Critical Objects</em> is a series of items that balance on the border between functional furniture and sculptural form without taking a definite position within either concept. In this self initiated project, graphic design studio HelloMe explores the curious nature of everyday objects.” — <a href="http://tillwiedeck.com/2012/10/critical-objects-catalogue/">HelloMe</a></p>
<p>
	Thanks to <a href="http://twitter.com/realgraphicdes/status/520300973718528000">@realgraphicdes</a> for the tip.</p><br/><a href="https://fontsinuse.com/uses/7799/critical-objects-exhibition"><img src="https://assets.fontsinuse.com/use-media/23598/upto-700xauto/69b3d83c/1/jpeg/HelloMe_CriticalObjects_Catalogue40.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://tillwiedeck.com/2012/10/critical-objects-catalogue/" target="_blank" rel="noopener">tillwiedeck.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>
	Exhibition catalog</p><br/><a href="https://fontsinuse.com/uses/7799/critical-objects-exhibition"><img src="https://assets.fontsinuse.com/use-media/23599/upto-700xauto/69b3d83c/1/jpeg/HelloMe_CriticalObjects_Catalogue39.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://tillwiedeck.com/2012/10/critical-objects-catalogue/" target="_blank" rel="noopener">tillwiedeck.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/7799/critical-objects-exhibition"><img src="https://assets.fontsinuse.com/use-media/23600/upto-700xauto/69b3d83c/1/jpeg/HelloMe_CriticalObjects_Catalogue33.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://tillwiedeck.com/2012/10/critical-objects-catalogue/" target="_blank" rel="noopener">tillwiedeck.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/7799/critical-objects-exhibition"><img src="https://assets.fontsinuse.com/use-media/23601/upto-700xauto/69b3d83c/1/jpeg/HelloMe_CriticalObjects_Catalogue32.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://tillwiedeck.com/2012/10/critical-objects-catalogue/" target="_blank" rel="noopener">tillwiedeck.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/7799/critical-objects-exhibition"><img src="https://assets.fontsinuse.com/use-media/23602/upto-700xauto/69b3d83c/1/jpeg/HelloMe_CriticalObjects_Catalogue31.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://tillwiedeck.com/2012/10/critical-objects-catalogue/" target="_blank" rel="noopener">tillwiedeck.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/7799/critical-objects-exhibition"><img src="https://assets.fontsinuse.com/use-media/23603/upto-700xauto/69b3d83c/1/jpeg/HelloMe_CriticalObjects_Website_041.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://tillwiedeck.com/2012/10/critical-objects-catalogue/" target="_blank" rel="noopener">tillwiedeck.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>
	Exhibition website</p><br/><a href="https://fontsinuse.com/uses/7799/critical-objects-exhibition"><img src="https://assets.fontsinuse.com/use-media/23604/upto-700xauto/69b3d83c/1/jpeg/HelloMe_CriticalObjects_Website_051.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://tillwiedeck.com/2012/10/critical-objects-catalogue/" target="_blank" rel="noopener">tillwiedeck.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/7799/critical-objects-exhibition"><img src="https://assets.fontsinuse.com/use-media/23605/upto-700xauto/69b3d83c/1/jpeg/HelloMe_CriticalObjects_Website_031.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://tillwiedeck.com/2012/10/critical-objects-catalogue/" target="_blank" rel="noopener">tillwiedeck.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/7799/critical-objects-exhibition"><img src="https://assets.fontsinuse.com/use-media/23606/upto-700xauto/69b3d83c/1/jpeg/HelloMe_CriticalObjects_Website_021.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://tillwiedeck.com/2012/10/critical-objects-catalogue/" target="_blank" rel="noopener">tillwiedeck.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/7799/critical-objects-exhibition"><img src="https://assets.fontsinuse.com/use-media/23609/upto-700xauto/69b3d83c/1/jpeg/HelloMe_CriticalObjectsFlyer_02.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://tillwiedeck.com/2012/10/critical-objects-catalogue/" target="_blank" rel="noopener">tillwiedeck.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>
	Exhibition invitation (front)</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/7799/critical-objects-exhibition">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/7799/critical-objects-exhibition</guid>
      <pubDate>Thu, 09 Oct 2014 20:10:50 +0000</pubDate>
      <author>Stephen Coles</author>
    </item>
    <item>
      <title><![CDATA[The Outsiders. New Outdoor Creativity]]></title>
      <link>https://fontsinuse.com/uses/6816/the-outsiders-new-outdoor-creativity</link>
      <description><![CDATA[Contributed by <a href="/contributors/12/florian-hardwig">Florian Hardwig</a><br/><a href="https://fontsinuse.com/uses/6816/the-outsiders-new-outdoor-creativity"><img src="https://assets.fontsinuse.com/use-media/20274/upto-700xauto/69b3d4c2/1/jpeg/theoutsiders_press_p056-057.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://shop.gestalten.com/outsiders.html?utm_source=Gestalten+Standard+Newsletter&utm_campaign=bdebbf2f0a-COLBOK_show_pressblastInt10_24_2013&utm_medium=email&utm_term=0_280558bba4-bdebbf2f0a-3663145&mc_cid=bdebbf2f0a&mc_eid=e40fa73774" target="_blank" rel="noopener">shop.gestalten.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Gestalten</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/4957/gill-facia"><img src="https://assets.fontsinuse.com/static/renders/15/4957/400/4/698ded6d/gill-facia.png"/></a><br/><a href="https://fontsinuse.com/typefaces/37/brandon-grotesque"><img src="https://assets.fontsinuse.com/static/renders/12/37/400/4/69a6a071/brandon-grotesque.png"/></a><br/><br/><br/><a href="https://fontsinuse.com/uses/6816/the-outsiders-new-outdoor-creativity"><img src="https://assets.fontsinuse.com/use-media/20275/upto-700xauto/69b3d4c2/1/jpeg/theoutsiders_press_p110-111.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://shop.gestalten.com/outsiders.html?utm_source=Gestalten+Standard+Newsletter&utm_campaign=bdebbf2f0a-COLBOK_show_pressblastInt10_24_2013&utm_medium=email&utm_term=0_280558bba4-bdebbf2f0a-3663145&mc_cid=bdebbf2f0a&mc_eid=e40fa73774" target="_blank" rel="noopener">shop.gestalten.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Gestalten</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/6816/the-outsiders-new-outdoor-creativity"><img src="https://assets.fontsinuse.com/use-media/20276/upto-700xauto/69b3d4c2/1/gif/the_outsiders_front.gif"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://shop.gestalten.com/outsiders.html?utm_source=Gestalten+Standard+Newsletter&utm_campaign=bdebbf2f0a-COLBOK_show_pressblastInt10_24_2013&utm_medium=email&utm_term=0_280558bba4-bdebbf2f0a-3663145&mc_cid=bdebbf2f0a&mc_eid=e40fa73774" target="_blank" rel="noopener">shop.gestalten.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Gestalten</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/6816/the-outsiders-new-outdoor-creativity"><img src="https://assets.fontsinuse.com/use-media/20277/upto-700xauto/69b3d4c2/1/gif/the_outsiders_back.gif"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://shop.gestalten.com/outsiders.html?utm_source=Gestalten+Standard+Newsletter&utm_campaign=bdebbf2f0a-COLBOK_show_pressblastInt10_24_2013&utm_medium=email&utm_term=0_280558bba4-bdebbf2f0a-3663145&mc_cid=bdebbf2f0a&mc_eid=e40fa73774" target="_blank" rel="noopener">shop.gestalten.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Gestalten</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/6816/the-outsiders-new-outdoor-creativity">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/6816/the-outsiders-new-outdoor-creativity</guid>
      <pubDate>Thu, 15 May 2014 10:59:49 +0000</pubDate>
      <author>Florian Hardwig</author>
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