Written by Jacques Aumont, edited by Maurice Darmon and finely designed in Paris by Paule Palacios-Dalens, this is another little gem of a paperback book produced by the small independent publishing imprint 202 éditions. This book is part of the series dedicated to cinema, this time on Godard and the Nouvelle Vague movement. It uses Antique Olive Nord (by Roger Excoffon, Olive) on the cover and for interior subtitles, Borges (Alejandro Lo Celso, PampaType) in the main text, Borges Título Hueca in the section titlings, and Akzidenz-Grotesk (Berthold) in the footnotes.

El Gran Libro del Teatro Colón (“The Great Book of the Teatro Colón”) is a collection of fine books edited in Buenos Aires by the media group Clarín, in commemoration of an anniversary of the main drama theater of Argentina, also considered one of the best opera houses in the world. The book collection was designed by Marca studio and was art directed by Jorge Doneiger. The entire Borges family was used for composing all pages: the text version of Borges in the main texts, captions, footnotes, etc, Borges Poema in the main titlings, Borges Título Hueca in the section names.

Intellectual independent book design: Greguerías by Ramón Gómez de la Serna is part of a collection of literature books exquisitely designed by Philippe Millot for Cent pages, a Parisian boutique publisher. The pages, full of unusual graphic ideas, exude a refreshing air of freedom. Interiors are composed in Borges and Borges Título Blanca by Alejandro Lo Celso. Cover titles are set in Matthew Carter’s Skia. The descriptive texts on the cover use what looks like “spurless” sans serif that is yet to be identified (Corisande looks similar).

Booklet made for a Parisian society of optical contractors, using various members of the Borges series (Alejandro Lo Celso, PampaType) throughout.

Designed by Jean-Pierre Grunfeld, Anne Luthaud, and Cyril Dominger.