First cast in 1928. [Schriftenkartei 1958–1971] Registered in
1930. [VdS] The first batch included leicht,
mager, halbfett, and fett weights (1928–29, adopted for the
Linotype in 1930–32), with
schmalhalbfett and schmalfett styles added in 1939, all designed by
Wilhelm Pischner. Italics were added to mager
(1953) and leicht (1955, by Arthur Ritzel). [Reichardt 2011]. Alternates for ‘a’ and
‘u’. [Stempel specimen]
First known in the English-speaking world as Stempel
Gothic and later renamed to Stempel Sans,
according to a specimen by Caslon Machinery Ltd., sole agents of
Stempel in Great Britain. [Ulrich]
Listed as Stempel Sans or Neuzeit
Grotesque. [JBJ] Sold by Vanderborght as Antiques modernes and by
Caslon as Le
Monde [Reichardt 2011].
Genneken is a copy for the Varityper.
Digitizations by URW and, as Geometric 706, by Bitstream.
For Neuzeit-Grotesk Buch (1959)/Buch S
(1966), see More…
First cast in 1928. [Schriftenkartei 1958–1971] Registered in 1930. [VdS] The first batch included leicht, mager, halbfett, and fett weights (1928–29, adopted for the Linotype in 1930–32), with schmalhalbfett and schmalfett styles added in 1939, all designed by Wilhelm Pischner. Italics were added to mager (1953) and leicht (1955, by Arthur Ritzel). [Reichardt 2011]. Alternates for ‘a’ and ‘u’. [Stempel specimen]
First known in the English-speaking world as Stempel Gothic and later renamed to Stempel Sans, according to a specimen by Caslon Machinery Ltd., sole agents of Stempel in Great Britain. [Ulrich] Listed as Stempel Sans or Neuzeit Grotesque. [JBJ] Sold by Vanderborght as Antiques modernes and by Caslon as Le Monde [Reichardt 2011].
Genneken is a copy for the Varityper.
Digitizations by URW and, as Geometric 706, by Bitstream.
For Neuzeit-Grotesk Buch (1959)/Buch S (1966), see Neuzeit S. See also DIN Neuzeit Grotesk.
