The bold (lit.: wide semibold) cut (1890) of the generically named Grotesk by Schelter & Giesecke. Recently also referred to as Scheltersche Grotesk, which is historically inaccurate. Reworked by Haas in c. 1900 as Französische Grotesk (initially named Breite fette Grotesk). Sold by Reggiani as Alala [1937 specimen] and by Nebiolo as Grottescho nero [c.1900 specimen] and later as Etrusco nero [1958 specimen]. See also the lighter Breite magere Grotesk and the heavier Breite fette Grotesk.
Revived by Christian Schwartz and issued as FF Bau (used for the sample) in 2002. [Kupferschmid]
Contributed by René Villeaux
Contributed by Kai Büschl
Contributed by Dan Reynolds
Photo(s) by altpapiersammler on Flickr.
Contributed by Matthijs Sluiter
Contributed by Florian Runge
Contributed by Stephen Coles
Contributed by Indra Kupferschmid