“There are no seasons, no rush, no trends - only the natural rhythm of making things that feel true,” the founder told us. Drawn to the deep resonance of human presence and imperfection, we arrived at the name for a “meaningful things store”: Zoia’s Fingers.

The identity had to accompany the carefully made objects, delicate yet playful across its range of applications. We keep our fingers crossed for Zoia, and for all her thoughts, gestures, and feels.

The logo is composed of Eyja, and short copy is set in Herbik. Both are available from Counter Forms. On the website, type is set in Libre Franklin from Impallari Type.

Editorial meets vintage – romantic brand design for Olive & Co, a wedding planner in Calgary.

We created a refined typographic logo that feels both timeless and modern, paired with custom illustrative elements inspired by olive branches. The branding incorporates subtle baroque details, with ornate flourishes and vintage-inspired motifs, nodding to the founder, Elizabeth's love for classical music and European architecture.

The visual identity walks the line between modern editorial design and ornate, vintage-inspired luxury, reflecting Olive & Co.’s signature approach to event design: thoughtful, romantic, and diverse.

This novel by Tariq Mehmood was first published in England in 1983. This new edition features cover art by Daniel Heikalo, with the image from the original Penguin edition on the back cover. The new and updated edition was published in Canada by Daraja Press.

Ciencia y Solidaridad (“Science and Solidarity”), a publication by Aquí Nos Cuidamos gathers the stories of community leaders in Puerto Rico. We highlight the stories of eleven community leaders and how they use science to address the needs and priorities of their communities. The impact of the leaders portrayed in Ciencia y Solidaridad extends beyond their hometowns. They serve diverse communities in different regions of the archipelago, including residents of public housing, the elderly, people with disabilities, and the deaf community, among others. We celebrate their work through an illustrative publication filled with visual references to their projects and stories.

The publisher’s brand typefaces, Libre Franklin and GT Alpina, are used throughout.

Portal Thermaculture is a new recreation and fitness center in Boulder, Colorado. They use the solid cut of Store Norske Stilig for their logo, and Libre Franklin as support.

Game Changer is an antiperspirant hand cream for improving grip with e-sport controllers, as well as athletic gear and activities. Their branding, packaging, and web design was done by Max Philipp Münker of Maxphill Design. The friendly and technical character of Aglet Sans aligns with the company’s primary market of e-sports. Libre Franklin is used for supporting text.

Miel au Carré’s purpose is to “bring bees and humans together”. Beekeepers Vanessa and Claudine offer hive installation, apiary education, as well as honey and related projects from Les Cèdres, Québec.

The brand design is by Montréal-based Studio Couleur Vive, developed together with Simon L’Archevêque. It features a wordmark and other graphic elements based on Snare.

The poster and the jar label additionally use Almarena. On the website, the logo in Snare is combined with Archia for text and Libre Franklin for menu and navigation.

Flecha Brônzea is the main typeface used for the visual identity of Instituto de la tierra, a new art and research platform in Spain that places the Earth as the centre of its activities. For all texts, Libre Franklin was used.

I, Clara Sancho, designed their logo and the website as well as an illustrated brochure/poster for “Primer Imprevisto”, an open-air film festival that took place in August 2022. This first event was organized by Instituto de la tierra in collaboration with the City Council of Garvín (Extremadura).

Portfolio website of Quentin Goupille, freelance art director, illustrator & filmmaker from Paris. Design by Quentin Goupille, development by Antonin Langlade.

The main typeface used for the website interface and the brand identity is Moranga, a soft serif designed by Sofia Mohr and released with Latinotype in 2019. Various other recent typefaces were used for the illustrated badges of the differents cases studies.

The O.T.W. zine is a promotional publication distributed in Vans stores throughout Brazil. It aims to reaffirm the cultural bases of the brand through interviews, articles, and images related to the three main pillars of the Vans universe: action sports (skate, surf and BMX), music, and art.

In 19×25.4 cm format, containing 100 pages printed in offset on Couché Fosco 150g and Offset 90g papers, the publication comes in a silkscreened plastic packaging, and includes three stickers.

The US presidential campaign of Senator Kirsten Gillibrand (Democratic Party) revolves around patriotism and courage.

Navigo Bold (CSTM Fonts) is used for the campaign slogan “Brave Wins” and most headlines on the campaign website. In big sizes, the vertical cuts on diagonal strokes (R, A, V, W, S in the campaign slogan) add a striking effect. Navigo Regular is used for the website menu and footer. The condensed Alternate Gothic is used in all caps for additional headlines and some buttons, and Libre Franklin is used mostly for body copy.

Video still.

Video still.

Video still.

Branding and identity of Banque Richelieu, a private banking and asset management platform that brings together Banque Richelieu France, Banque Richelieu Monaco and Richelieu Gestion.

The logo consists of a monogram and word mark made with Sybilla, paired with a handwritten line saying “L’esprit de conquête” (The spirit of conquest). The individual banks use the same word mark, with addition of the location name set in Libre Franklin, Pablo Impallari’s version of Franklin Gothic. The overlying bank and the individual banks all have their own website based on the same template, again using Sybilla and Libre Franklin. On the four websites of he bank, financial and explanatory documents can be downloaded, which is the point where the consistent branding ends, and where different designs with different system fonts take over.

Thomas Huot-Marchand created the visual identity of Rouen’s theater, L'Étincelle, with his Minérale typeface, available on www.205.tf. Minérale is paired with Sandrine Nugue’s Infini, another recent French typeface design with similar lapidary qualities.

Detail from the L’Étincelle homepage

Detail from the program overview on the website