From Nunavik Publications:

This beautiful 154 pages exhibition catalogue of Revival: Printmaking in Nunavik (2014–2019) [Inuktitut: ᓴᕐᖀᒋᐊᓪᓚᓂᖅ : ᐸᑎᒃᑎᒐᓕᐅᕐᓂᖅ ᓄᓇᕕᒻᒥ (2014–2019); French: Résurgence: l’estampe au Nunavik (2014–2019)] presented at the Musée d’art de Joliette in 2021, includes the 63 linocut prints done by 26 artists present in the exhibition along with a foreword of Lisa Koperqualuk, an essai of curator Lyne Bastien and an interview leaded by Olivia Lya Thomassie with curators Maggie Napartuk and Qumaq M. Mangiuk.

The works were presented at the Musée d’art de Joliette in collaboration with the 12th International Contemporary Print Biennale of Trois-Rivières and the Avataq Cultural Institute.

Ô Sirop is a Quebec company crafting cocktail syrups from locally sourced ingredients. They use Mortier Jumbo for their syrup logo, paired with information set in Ilisarniq and various weights of Double.

Cover and layout for this bilingual dictionary (English and Inuktitut) of traditional Inuktitut names, published by Publications Nunavik (Avataq Cultural Institute). Compiled by genealogist Martha Palliser, the reference work was designed as a bidirectional book, with the back cover showing the English version, and the interior printed in two spot colors.

For the exhibition Danser Brut at LaM (Lille Métropole Musée d’art moderne, d’art contemporain et d’art brut) in Villeneuve d’Ascq, France, Marga Berra Zubieta used Minérale Black (designed by Thomas Huot-Marchand and distributed by 205TF) and Ilisarniq (designed by Étienne Aubert Bonn and distributed by Coppers and Brasses).

Danser Brut presents an original and transversal look at dance based on art brut, but also contemporary art, cinema or even music. By bringing together more than 300 works from the 19th century to the present day, the exhibition sets out to conquer an invisible fact of ordinary and extraordinary gestures that have crossed modernity. Although they have sometimes been spotted, annotated, filmed, they have not yet been perceived as different phases of the same phenomenon. — LaM

Ilisarniq, designed by Montréal-based type foundry Coppers and Brasses and a selection of fonts by The Pyte Foundry in use for the 9th edition of Pica magazine, which is centered around the theme of risque / risk.

Pica is a student-run project that celebrates the vitality of UQAM’s multidisciplinary artistic community and encourages hybrid collaboration. Its aim is to promote the development
of local talent and connect with an international audience with educative talks, workshops and an annual publication. Pica is a playground where errors are encouraged and boundaries pushed.