Souvenirs invisibles (“Invisible memories”) is the title of Palais de Tokyo’s 2024/2025 autumn winter season program for young audiences. From the museum’s website (translated):

Are there things we can’t see?
Do we all see the world in the same way?
Could we invent glasses to see people's emotions and the passage of time?
Do invisible things have an influence on our daily lives?

In this document for young audiences, you’ll discover postcards of invisible memories from exhibitions.

On the program: the presence of our ancestors, the hum of the earth, a talking stone, an imaginary friend, a magical power, the hidden meaning of images and the secrets of matter.

The leporello with postcards was illustrated by Nina Lechartier and designed by Marie Sourd or Atelier AAAAA, using bb-book A and B by Benoît Bodhuin, accompanied by Fluxisch Else.

Goldie and the Kiss of Andromeda is the latest album by Parisian singer Adam Naas. It was designed by Image Format, using photography by Emma Picq and two typefaces by Benoît Bodhuin; BallPill and bb-book B.

[More info on Discogs]

The title features bb-book B with a bouncing baseline, customized i dots, and EndcapS.

Madrid’s Semana Santa, or Holy Week, is the popular celebration of the passion, death and resurrection of Christ in the capital of Spain. For advertising this year’s event, Tres Tipos Gráficos used bb-book Contrasted and bb-book B by Benoît Bodhuin:

The campaign works with images around the figure of Jesús de Medinaceli, the Christ of Madrid: his singular crown of thorns, the cord of his robe and the censer of the Basilica of Jesús de Medinaceli. Throughout the campaign, the purple hoods of the Nazarenes, the Paschal Candle and the image of flowers, so representative in offerings and decorations, are also used.

The procession of the Christ of Medinaceli, on Good Friday, is the most popular in the city and runs through the streets of the center every year. This year Holy Week will be held under strong restrictions and each brotherhood will exhibit their image within their canonical seats.

Photos: Geray Mena

Was it Chamo who wanted to tell the story of this odious and rude snake, or was it the snake who forced her to write her biography? History doesn't say it, but the album is a treat! Despite the bad character of the main character and the laziness of the author ... Yes, because you can imagine that annoyed by this rascal, she left it to the reader to complete and color the album!

The coloring book Ssserpent was written and illustrated by Chamo, using ZIGZAG and bb-book B Regular from Benoît Bodhuin. Smaller text uses Futura. The handwriting typeface is all-caps Syne Italic by Bonjour Monde and Lucas Descroix.

Hellovision is a family-friendly version of Hellavision, held at at the Tattersall distillery during the Art-a-Whirl® Open Studio Tour in North East Minneapolis.

Hellavision Television Animation Show is a series of episodic experimental animation screenings and zines. Screenings are held quarterly, free to the public. Anyone and everyone is welcome to participate. Artists are encouraged to create work as quick as possible and without self-judgement.

Designer Peter Steineck used bb-book B family by Benoît Bodhuin for the call for entries, posters etcetera.

Identity / posters for Orient. “The new East” in central Eastern Art, designed by Agata Biskup. The typography uses bb-book contrasted and bb-book B by Benoît Bodhuin.

The exhibition Orient. “The new East” in central Eastern Art is a meditation on the Central and Eastern European identity. It considers the failure of its own identity to be the unifying aspect of this unclear region. The contradictory longing for pride and patriotism and at the same time, the feeling of being ashamed of where we come from that leads to the suppression and negation of this belongingness. The embarrassment, growing from the internalisation of the collapse of the surrounding context that used to be built upon a social and political utopia…

Artists: Darja Bajagić, Wojciech Bąkowski, Matei Bejenaru, Piotr Bosacki, Pavel Brăila, Veronika Bromová, Jan Brož, Jiří Černický, Anetta Mona Chişa & Lucia Tkáčová, Matyáš Chochola, Romana Drdová, Habima Fuchs, Anežka Hošková, Jasanský & Polák, Atis Jākobsons, Zsófia Keresztes, Aurora Király, Adrian Kiss, Adam Kokesch, Jiří Kovanda, Václav Litvan, Piotr Łakomy, Pavla Malinová, David Maljković, Jimena Mendoza, Gizela Mickiewicz, Marge Monko, Vlad Nancă, Ioana Nemeş, Alice Nikitinová, Richard Nikl, Pakui Hardware, Julius Reichel, Dragana Sapanjoš, Jiří Skála, Adéla Součková, Petr Štembera, Аvdej Ter-Oganyan, Mark Ther, Viktor Timofeev, Jerzy Truszkowski, Emöke Vargová, Martin Vongrej, Jana Želibská

Curator: Michal Novotný
Co-curator: Anna Bargiel
Coordinator: Renata Zawartka
Curatorial cooperation and coordination: Gabriela Brdej

The corporate typeface of Galeria Sztuki Współczesnej Bunkier Sztuki is Px Grotesk.