Culture numerique (March 2019), Culture écologique (Feb. 2022), and Culture juridique (Jan. 2025) were published by Presses de Sciences Po in the Petites Humanités (Small Humanities) series.

Designed by Atelier AAAAA, the covers combine Bureau Brut’s Bourrasque and Traulha, paired with OH no Type Co.’s Obviously, Velvetyne’s VG5000, and The Pyte Foundry’s Alcove for “Culture écologique”.

Bourrasque showcases the idea of ever changing life and shapes, the ideas that continue going forward, taking the others with them. As for Traulha, it fits perfectly for the juridical aspect. Round, lapidary and elegant at the same time, it represents the balance of law with its uniqueness.

The book interiors are set in TypeTogether’s Marco, paired with Obviously and the volume’s respective title typeface.

Inspinniert is a combination of workspace visits and art fair, held in Rapperswil, Switzerland. The artwork for the 2025 edition was designed by design studio Stellwerk Ost and set in Bourrasque ​​​and Brut Grotesque.

Tortillas are an omelette dish and a Basque institution. For Amatxi, studio Morbo created a brand identity to break with the dish’s exclusivity in pintxo bars. Between tradition and modernity, the identity is based on a custom-drawn wordmark, which can be shortened to a monogram A, and the slogan “tortillas sin hostias” (“tortillas without wafers”).

The visuals are created with Baste (from Lift Type) as the titling font, paired with the 45° version of Bourrasque (form Bureau Brut) to bring rhythm to the typographic compositions.

Words by the designers of Atipus:

Le Petit Ballon offers a way to discover and buy wine through monthly subscriptions and personalized recommendations according to subscribers' preferences.

When it comes to summer in France, Rosé reigns supreme, eagerly awaited by enthusiasts. That's why our aim for the 2024 edition of Batti Batti, as we have approached it in previous ones, was to craft the identity of a great wine, to impress and entice a new audience this season.

For this 4th edition, we kept the signature elements that make Batti Batti unmistakable: the bold circle, the playful name placement, and a clean secondary typography. These details tie the identity together, giving the label its fresh, modern feel.

What’s new this year is how the design interacts with light. The label reacts to sunlight, almost disappearing when hit by the brightest rays. This effect isn’t just about aesthetics; it’s a playful nod to summer moments where the focus shifts from what’s in your hand to what’s happening around you, and invites you to soak in the surroundings.

We paired this concept with a typeface, Bourrasque by Bureau Brut, that adds an easy-going touch, giving the whole design an energy that feels perfectly in tune with the Mediterranean spirit.

The secondary fonts are Founders Grotesk and an unidentified serif.

See also the 2022 edition.

Never Better is a design studio based on the internet. For their own website and identity, they’re using a range of fonts, including Mabry, Panama in upright and Iranic (its left-leaning italic style), Bourrasque 45 Est (another “contra italic”), Cucina and Selva Script. They even made embroidered caps!

Gaucherie is a shop catering to left-handed people. From the website (translated from the French):

Starting in September, you’ll find over 300 left-handed products on gaucherie.fr: DIY, cooking, sewing, back-to-school, unusual items… Discover our offbeat brand and find exclusive products that make everyday life easier for left-handers!

The identity was designed by Super Marché noir, using Bourrasque by Bureau Brut – prominently featuring its left-leaning 45 Est style. Bourrasque is supported by Vocal Type’s VTC Bayard.

This book showcases texts written by 21 students studying French as a Foreign Language (Français Langue Etrangère) at Paul-Valéry University in Montpellier. This editorial project takes the form of two leporellos, each comprising ten panels, front and back.

The project was commissioned by Rose-Marie Volle, a language sciences teacher-researcher, in collaboration with Loïc Lartigau, a language sciences doctoral student at Paul-Valéry University.

Artistic direction and editorial design by Camille Boyer, with illustrations by Camille Moreau. Printed by Studio Trames.

S’exposer au vent (“Exposing yourself to the wind”) is a book that gathers conversations around the project of floating wind turbines in the Gulf of Lion. It is published by the Bureau des guides du GR2013. This cultural association carries out projects that offer original experiences and situations to a wide audience in and around the Aix-Marseille metropolis.

Design by Aéro Club with assistance from Pedro Cardoso, using Bourrasque and Feijoa.

Branding for La Schweizerhalle, a bistro established in 1872.

For its 150th anniversary, the restaurant La Schweizerhalle changes its owners and gets a new face. The building is located on Rue des Epouses in the gothic city of Fribourg, Switzerland.

As a commitment to this historical place, F+F studio, branding and design studio, imagines a visual identity made of anecdotes and encounters.

The mission is twofold: to announce the new, while honoring the past and the people who have contributed to the life of the restaurant so far.

Poets, literary figures, artists, lovers, local residents.

A logo was designed, with a character design that draws inspiration from the past, makes it its own, and creates the future.

A bright and bold color palette, modern halftone illustrations refer to the process of printing photographs in newspapers of yesteryear.

As a vehicle for stories through time, the newspaper seemed to be the ideal medium for a food menu. It tells stories and reflects the values of the Schweizerhalle.

See more in the case study by FF studio.

Strandbude Morak offers comfortable low-budget rooms, a beach for bathing and relaxing, and a top location in Velden, Austria with countless hot spots in the immediate vicinity to a rather younger target group.

Agentur Lux developed an upbeat and loud visual identity for Strandbude Morak, using bright colours and Farmacia by Nguyen Gobber in combination with Bourrasque 45 Ouest by Bureau Brut for the logo. The diagonally positioned “Strandbude” refers to the stairs that lead into the water. In addition to the aforementioned typefaces, the website uses Athletics from Family Type.

The Finis terrae association offers artists and art critics a one-month residency to accompany a reflection, an artistic action or a production of work and / or an edition addressing issues related to the sea, the coastline, the landscape, to insularity …

Ouessant (Finis terrae) is a catalog designed by Cyril Makhoul about the residences that took place between 2013 and 2017. Ouessant is the most western island in the French territory. Offset printing, 224 pages, 2018.

The Saut Hermès is an annual show jumping competition held at the Grand Palais in Paris, France and sponsored by the fashion company Hermès (brand). The visual identity for this year’s event features Bourrasque. The designer is not yet identified, so I can only speculate about their typographic intentions, but, to me, the unusually steep slant and angled baseline of Bourrasque’s Ouest style brings to mind a jumping horse. This comparison is emphasized in the main poster imagery in which the horse takes on the same stance as the rotated headlines on either side. GT Sectra is used for body copy on the website and perhaps in other material.