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Civilia. The End of Sub Urban Man

Contributed by Florian Hardwig on Jan 25th, 2016. Artwork published in .
Cover of the facsimile reprint
Source: www.amazon.co.uk License: All Rights Reserved.

Cover of the facsimile reprint

Civilia. The End Of Sub Urban Man. A Challenge to Semidetsia was originally published by the Architectural Press in 1971, edited by Ivor de Wolfe, pen name of Hubert de Cronin Hastings. Artifice issued a facsimile reproduction in 2015.

The striking typeface is the caps-only Sculptura, designed by Walter Diethelm and released in 1957 by Haas. It can be described as a combination of two earlier and more popular shaded display faces by the same foundry: the narrow sans-serif letterforms are similar to Graphique (1945) while the contour styling is reminiscient of Profil (1946). Sculptura was digitally revived by Jason Castle in 2005.

Original jacket (front)
Source: www.flickr.com Bollops. License: All Rights Reserved.

Original jacket (front)

Detail of the cloth cover
Source: www.tomorrowsthoughtstoday.com Tomorrows Thoughts Today. License: All Rights Reserved.

Detail of the cloth cover

Title page
Source: www.flickr.com Bollops. License: All Rights Reserved.

Title page

Interior pages with a foreword by Ian Nairn
Source: www.flickr.com Bollops. License: All Rights Reserved.

Interior pages with a foreword by Ian Nairn

Original jacket (back)
Source: www.flickr.com Bollops. License: All Rights Reserved.

Original jacket (back)

The Architectural Review Vol. CXLIX Number 892 June 1971
Source: thingstolookat.blogspot.de License: All Rights Reserved.

The Architectural Review Vol. CXLIX Number 892 June 1971

Typefaces

  • Sculptura
  • New Clarendon
  • Monotype Clarendon

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