Silbern weint ein Krankes by Martin Eder
Source: http://www.martineder.com License: All Rights Reserved.
Booklet published on the occasion of Martin Eder’s solo show at Galerie Eigen+Art, Leipzig.
Source: http://www.eigen-art.com License: All Rights Reserved.
The interview in German is set in narrow columns of Optima. Questions are underlined, answers have a large first-line indent.
Source: http://www.eigen-art.com License: All Rights Reserved.
Source: http://www.eigen-art.com License: All Rights Reserved.
Peignot loses most of its eccentricity when used in all caps.
Source: http://www.eigen-art.com License: All Rights Reserved.
The version of Stahl used here is StahlLUX, a private digitization by Annette Lux of HIT.
Source: http://www.eigen-art.com License: All Rights Reserved.
Jan Sonntag of Sonntag Fonts studied at Gerrit Rietveld Academie under Gerard Unger’s supervision. His Hildegard was published by Linotype in 2004.
Source: http://www.eigen-art.com License: All Rights Reserved.
The English translation is set in Albertus. Interviewer and interviewee are marked with initials.
Source: http://www.eigen-art.com License: All Rights Reserved.
The closing page uses Plantin Semibold, Semibold Italic, and Bold.
Typefaces
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2 Comments on “Silbern weint ein Krankes by Martin Eder”
I can’t believe that in 2014 Stahl still isn’t available to the public in some decent form.
Have you tried the digitization by Gerhard Helzel? His website sure is scary, but that doesn’t necessarily have to be true for his fonts as well.