Silbern weint ein Krankes by Martin Eder Contributed by Florian Hardwig on Oct 6th, 2014. Artwork published in 2007. Source: www.martineder.com License: All Rights Reserved. Booklet published on the occasion of Martin Eder’s solo show at Galerie Eigen+Art, Leipzig. Source: www.eigen-art.com License: All Rights Reserved. The interview in German is set in narrow columns of Optima. Questions are underlined, answers have a large first-line indent. Source: www.eigen-art.com License: All Rights Reserved. The title page introduces a theme that is repeated throughout the 36-pages booklet: A small block in the quirky italic Rondka Urtyp interferes with a center-aligned pull quote in large caps, in this case from Plantin Light. Source: www.eigen-art.com License: All Rights Reserved. Peignot loses most of its eccentricity when used in all caps. Source: www.eigen-art.com License: All Rights Reserved. The version of Stahl used here is StahlLUX, a private digitization by Annette Lux of HIT. Source: www.eigen-art.com License: All Rights Reserved. Jan Sonntag of Sonntag Fonts studied at Gerrit Rietveld Academie under Gerard Unger’s supervision. His Hildegard was published by Linotype in 2004. Source: www.eigen-art.com License: All Rights Reserved. The English translation is set in Albertus. Interviewer and interviewee are marked with initials. Source: www.eigen-art.com License: All Rights Reserved. The closing page uses Plantin Semibold, Semibold Italic, and Bold. Typefaces More about AlbertusMore about StahlMore about RondkaGet RondkaMore about HildegardGet HildegardMore about OptimaGet OptimaMore about PeignotGet PeignotMore about PlantinGet Plantin Formats Booklets/Pamphlets (2357) Topics Art (4571) Designers/Agencies HIT (1) Tagged withDuMont (2)Eigen+Art (1)book covers (5756)book interiors (3566)exhibition catalogs (840)cats (92)Martin Eder (1)pull quotes (162)multilingual (2550)underlined (732)all caps (7404)typographic eclecticism (283)center-aligned text (1857)interviews (407)big type (1707)custom typeface digitizations (52) Artwork location Germany (3789) United Kingdom (3234) Leipzig (133) London (1788) In Setssomewhere (Johnny Whitman) (11)PHANTA (Leonardo de la Fuente) (285) 2 Comments on “Silbern weint ein Krankes by Martin Eder” Roque Strew says: Nov 25th, 2014 5:16 pm I can’t believe that in 2014 Stahl still isn’t available to the public in some decent form. Florian Hardwig says: Nov 25th, 2014 6:58 pm Have you tried the digitization by Gerhard Helzel? His website sure is scary, but that doesn’t necessarily have to be true for his fonts as well. Post a comment Name Email – will not be published Website Your response Submit Comment More Albertus in use Coca-Cola Can Camera1980Photo(s) by ed on Flickr. Very old nuns?Photo(s) by Henk Gianotten on Flickr. Sabat Magazine 1, The Maiden Issue2016Cleber Rafael de CamposElisabeth KrohnContributed by Love Lagerkvist Staff Pick Sponsor More in Art Claude Lorrain. Die verzauberte Landschaft2012Christina Hackenschuhhackenschuh com. designContributed by Florian Hardwig Now WhatLaura GordonRosie Ashley-LahiffBen de SilvaContributed by Stephen Coles Joan Miró: Women, Birds, Stars2022Good QuestionContributed by Lee noheul Staff Pick Advertising Photographers of America (APA) logo1992Mark FoxBlackDogContributed by Stephen Coles More in Booklets/Pamphlets PRIMO!c. 2024Paweł MildnerContributed by Threedotstype Staff Pick El Origen de la Noche / The Origin of Night2023Mia Paltrow-MurrayContributed by 205TF Staff Pick “Hi!” skyscrapers exhibition2017Elena DonetsContributed by Elena Donets LAP2014Ondine VermenotCharles ConnouéAntoine EnaultContributed by Benoît Bodhuin More Fonts In Use Oficinas de Criatividade2016Tereza BettinardiContributed by Tereza Bettinardi Staff Pick Le Garage Paris2018Atelier MalinowskyContributed by Swiss Typefaces Staff Pick UAW CAP 74 poster1974unknownContributed by Elizabeth Goodspeed Staff Pick Hch. Wuhrmann invoice, 1941c. 1940Heinrich Wuhrmann DruckContributed by Florian Hardwig Staff Pick
2 Comments on “Silbern weint ein Krankes by Martin Eder”
I can’t believe that in 2014 Stahl still isn’t available to the public in some decent form.
Have you tried the digitization by Gerhard Helzel? His website sure is scary, but that doesn’t necessarily have to be true for his fonts as well.