Jo Malone London Gents Contributed by Chris Segedy on Jul 14th, 2017. Artwork published in 2017. License: All Rights Reserved. Brand identity and advertising campaign for Jo Malone London Gents. The blunt ends of Dala Floda’s serifs were sharpened to a point for this logo. Typefaces Formats Advertising (1763) Branding/Identity (6563) Posters/Flyers (4658) Topics Fashion/Apparel (1271) Designers/Agencies Chris Segedy (7) Tagged withJo Malone London (1)Gents (1)logos (3820)modified typeface (1454)borders and rules (908)collage (189)eroded/weathered type (167)menswear (51)reversed type on an image (1007) Artwork location United States (8221) New York State (157) In Sets Classic Font (Studio C u b e Y) (54) Post a comment Name Email – will not be published Website Your response Submit Comment More Dala Floda in use Girlhood by Rubyc. 2016Luke DodridgeContributed by Luke Dodridge The New Review2015Shazia ChaudhryContributed by Shiva Nallaperumal Supersonic Festival2012Bielke&YangContributed by Grilli Type Staff Pick Sponsor More in Fashion/Apparel Andrea Jose branding2021Daniel SiimContributed by Daniel McQueen (TDF) Fashion, body and culture2016Luzi GantenbeinContributed by Luzi Type Spooner 20202019Gareth HagueAliasNikeContributed by Gareth Hague Staff Pick “A XXI Century Witch”, Vogue Spain2020Naranjo-EtxeberriaJavier CortésContributed by Altiplano Typefaces More in Advertising New Freedom ad (1973)1973Victor CarusoContributed by mhinrichs Estoril Cascais 78 sticker1978unknownPhoto(s) by Hylbrand-Jan Hibma on Flickr. Langenscheidt IQ2012Kochan & PartnerMartin SummMartina GrabovszkyContributed by Florian Hardwig François Hollande 2012 Presidential Campaign2012Contributed by Underware Staff Pick More Fonts In Use Mego Micronauts toysc. 1976MegoContributed by Florian Hardwig Staff Pick Cotton Comes to Harlem movie posters, lobby cards, album art1970Robert McGinnisunknownFrank GaunaContributed by Florian Hardwig Staff Pick worm, root, wort… & bane by Ann Shelton2024Duncan MunroContributed by Mark van Leeuwen Staff Pick Courrier International2010Mark PorterContributed by Stephen Coles Blog