Katya de Grunwald Contributed by Studio Thomas on Jun 22nd, 2018. Artwork published in circa 2016. Source: https://www.studiothomas.co.uk Photo: Studio Thomas. License: All Rights Reserved. Futura in use for an identity and online presence for photographer Katya de Grunwald. We used colours that refer to the warm tones within Katya’s work, and a simple navigation system that complements her refined approach to image making. Source: https://www.studiothomas.co.uk License: All Rights Reserved. Source: https://www.studiothomas.co.uk License: All Rights Reserved. Source: https://www.studiothomas.co.uk License: All Rights Reserved. Source: https://www.studiothomas.co.uk License: All Rights Reserved. Source: https://www.studiothomas.co.uk Photo: Studio Thomas. License: All Rights Reserved. Typefaces Formats Web (1842) Branding/Identity (2699) Topics Home/Interior (313) Lifestyle (466) Designers/Agencies Studio Thomas (19) Tagged withbusiness cards (462)photography (303)logos (1266)minimalist (222)left, right, up, down (53)underlines (212)arrows (103)reversed type on an image (357)photographers (45)flowers (45) Artwork location United Kingdom (1219) London (691) In Sets smooth (Karo Konieczna) (480) pf (Karo Konieczna) (44) Post a comment Name Email – will not be published Website Your response Submit Comment More Futura in use Akira by Katsuhiro Otomo1982Katsuhiro OtomoPencil StudioHiroshi HirataContributed by Quentin Schmerber Blog “in der krise beweist sich der charakter” postcard2017höchst*schönContributed by Tanja / Marcus Huckenbeck / Bonszkowski “Love Your Mother” poster1973Doyle Dane BernbachJerry RotondiContributed by Nick Sherman Sponsor More in Home/Interior Möbelhaus Walther Geßwein letter, 1937c. 1937Contributed by Florian Hardwig Staff Pick Juicero website2016unknownContributed by Stephen Coles One Leicester Street hotel2013A Practice for Everyday LifeContributed by Indra Kupferschmid Thayer Coggin, Designed by Milo Baughman labelc. 1975unknownContributed by Stephen Coles More in Branding/Identity The Bristol Cheesemongerc. 2016Studio ThomasContributed by Studio Thomas Irena Košir Knitwork logoTomato KoširContributed by Stephen Coles De Vegetarische Slagerc. 2011Susan MertensContributed by Florian Hardwig Staff Pick Marlin Mirror. Perfection In Reflection Since 1975Photo(s) by “Joe Clark” on Flickr. More Fonts In Use Pulp, issues 01–062014Simon EstersonHolly CatfordContributed by Stephen Coles Staff Pick The Atlantic website (2016)c. 2016The Atlantic Media CompanyPaul SpellaZachary BickelContributed by Stephen Coles Staff Pick Everth & Co. invoice, 1929c. 1928Contributed by Florian Hardwig Staff Pick From Larisch’s Plinius to Larish Alte and Larish Neue1903Rudolf von LarischKoloman MoserCarl Otto CzeschkaContributed by Peter Pesseg Blog