Cycles et motos — L’épopée fantastique 1820–1920 Contributed by 205TF on Aug 7th, 2018. Artwork published in 2016. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Brice Tourneux and Samuel Avequin have designed the catalog of the exhibition Cycles et motos — L’épopée fantastique. The typography uses Le François, a typeface created by Damien Gautier. This exhibition took place at the Musée de Compiègne. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Typefaces Formats Books (5705) Topics Automotive (283) Transportation (305) Industrial Design (488) Designers/Agencies Brice Tourneux (5) Samuel Avequin (3) Isabelle Scotta (1) Tagged withdesign history (75)motorcycles (38)slashed zero (43)rotated type (1925)stacked and staggered (342)type on an image (114)French (language) (2114)exhibition catalogs (718)Musée de Compiègne (1)bicycles (47) Artwork location France (2392) Compiègne (1) In Sets Love font (jean-alexandre Jean) (11) Enciclopedia Central (Fernando Prieto) (18) interesting (Diarmuid O Connor) (94) Galerie parallele inspo (Élise Pierrelée) (23) Perfect Match (Lucas Bevilaqua) (134) Formats (Lucas Bevilaqua) (112) 2 Comments on “Cycles et motos — L’épopée fantastique 1820–1920” Florian Mörk says: Aug 7th, 2018 2:28 pm On Brice Tourneux’ website there’s a closer look on the body copy. Is it typeset in Akzidenz Grotesk or something similar? Florian Hardwig says: Aug 7th, 2018 7:22 pm Good sleuthing, Florian! Yep, it looks like AG — one of the older digitizations, where the 1 has too much surrounding space. Post a comment Name Email – will not be published Website Your response Submit Comment More Le François in use Kolaboranci, Teatr Opole2018Krzysztof IwanskiContributed by 205TF Océan. Une plongée insolite 2019Fanette MellierContributed by 205TF Bahamontes magazine, Tour Special2020Pjotr Grafisch OntwerpContributed by 205TF Sponsor More in Transportation Hop Rodc. 1969Contributed by David Smith QV Melbourne parking garage signsc. 2012Latitude GroupContributed by Nick Sherman RSA websitec. 2022BBDO DublinContributed by Max Phillips “Your next step” ad, London Transport Commercial Advertising1938Eckersley-LombersPhoto(s) by mikeyashworth on Flickr. More in Books The Great Gatsby (Scribner’s, 2004)2004Contributed by jmorganmartin Staff Pick Inherent Vice posters, promo art, and jacket design2014BLT CommunicationsTal GoretskyDarshan ZenithContributed by Garrison Martin Staff Pick Effektiv Kommunikation2013Helena LagerContributed by Letters from Sweden Staff Pick Narrating the Globe2023Ben Fehrman-LeeContributed by Abyme More Fonts In Use If They Come For Us by Fatimah Asghar2018Shyama GoldenSharanya DurvasulaContributed by Production Type Staff Pick Superbooth 172017Verena GerlachContributed by verena gerlach Staff Pick Gotteslob Prayer and Song Book2013Matthias BumillerFinken & BumillerContributed by Frank E. Blokland Staff Pick L’Atelier Shelter2019Brand BrothersContributed by Brand Brothers Staff Pick
2 Comments on “Cycles et motos — L’épopée fantastique 1820–1920”
On Brice Tourneux’ website there’s a closer look on the body copy. Is it typeset in Akzidenz Grotesk or something similar?
Good sleuthing, Florian! Yep, it looks like AG — one of the older digitizations, where the 1 has too much surrounding space.