Milton Glaser’s typeface apparently lends itself to such colorful deconstruction, compare Tom Geismar’s New Year greeting card from 2003. For the fourth line, Bain switched to a single color per glyph – at this size, multi-colored letters would have flickered too much. The small line with the date is rendered in monochrome blue, and the even smaller venue info has to do without stencil bridges: it’s set in plain Futura.
1 Comment on “Cotton District Arts Festival”
Such a great design! Thanks for posting this.