An independent archive of typography.
to participate.

Topics

Formats

Typefaces

Henk-Sjoerd Hinrichs catalog 2017

Contributed by Weltanschauung on Dec 22nd, 2018. Artwork published in .
    Henk-Sjoerd Hinrichs catalog 2017 1
    Source: https://www.behance.net Henk-Sjoerd Hinrichs. License: CC BY-NC-ND.

    Digital representation has become the primary source of image consumption. The line separating painting from JPEG is becoming invisible. This body of work investigates new technologies that influence the painterly processes of today, while also reflecting the idea that the reproduction, consumption, and proliferation of images and media are shaping our culture.

    Henk-Sjoerd Hinrichs was born in 1993, Harlingen (The Netherlands). He currently works in Antwerp (BE) and Groningen (NL). His works primarily focuses on painting and sculpture, specifically that of the relationship between painting and contemporary culture and such as mass media proliferation and digital technologies, consumerism, and counterculture through the dialogue of abstraction.

    Henk-Sjoerd Hinrichs catalog 2017 2
    Source: https://www.behance.net Henk-Sjoerd Hinrichs. License: CC BY-NC-ND.
    Henk-Sjoerd Hinrichs catalog 2017 3
    Source: https://www.behance.net Henk-Sjoerd Hinrichs. License: CC BY-NC-ND.
    Henk-Sjoerd Hinrichs catalog 2017 4
    Source: https://www.behance.net Henk-Sjoerd Hinrichs. License: CC BY-NC-ND.
    Henk-Sjoerd Hinrichs catalog 2017 5
    Source: https://www.behance.net Henk-Sjoerd Hinrichs. License: CC BY-NC-ND.
    Henk-Sjoerd Hinrichs catalog 2017 6
    Source: https://www.behance.net Henk-Sjoerd Hinrichs. License: CC BY-NC-ND.

    Typefaces

    • Lausanne
    • Space Mono

    Formats

    Topics

    Designers/Agencies

    Artwork location

    1 Comment on “Henk-Sjoerd Hinrichs catalog 2017”

    1. Dec 22nd, 2018  9:18 am

      “… reflecting the idea that the reproduction, consumption, and proliferation of images and media are shaping our culture.” — Very meta! Cf. Joshua Evan on Sunday-S, 2016.

    Post a comment