Released by Cómeme and Crammed Discs, the press release describes the LP as “soundsystem-friendly beats which incorporate non-Eurocentric, non-4/4 rhythm programming.” The result is something like “futuristic maloya or carnival music.”
The title refers not to aliens from outer space but to “the different, the foreign, the immigrant,” and to the notion that globalization and migration might “set us free.” It’s Aguayo’s first solo album since The Visitor in 2013. — residentadvisor.net