Twentysix Gasoline Stations by Ed Ruscha
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That’s not Stymie. The A is different.
You are right that ATF’s Stymie as well as most digital versions are distinguished by an A with top bar. But there’s also Monotype’s version of Stymie. From Mac McGrew’s American Metal Typefaces of the Twentieth Century:
[…] Monotype also did its part in expanding the family; Sol Hess designed Stymie Extrabold in 1934, a year before Morris Benton drew Stymie Black [for ATF]. These heavy versions differ slightly from each other […]
Among the differences in Monotype’s Stymie Extrabold are a straight-legged R, a descending J, a single-sided serif on q, a t with curved exit stroke—and a barless A (an A with top bar and a flat-bottom t were available as alternates). Ed Ruscha used (a version) of Monotype’s Stymie Extrabold.
Scangraphic’s Stymie SB Bold Cond is a digital Stymie with barless A, but it’s not a faithful revival of Stymie Extrabold as depicted in McGrew. Their Stymie SB Bold comes closer in regard to some glyphs like R, t or the lighter middle bar in E, but isn’t a perfect match either.