As told in an article in Eye magazine, Winter 2004, Barbara Glauber and her firm Heavy Meta once worked upstairs from Hoefler & Frere-Jones and often visited their office to ask, “Got some fonts for me?” This resulted in several designs using the foundry’s typefaces, including this commission from Glauber codenamed They Might Be Gothic. It would later become Giant.
“We wanted the idea to be illogical to reflect the way TMBG work,” says Glauber, “and stencil bevel doesn’t make any sense: a stencil is flat and a bevel is dimensional.”
That said, the stencil aspect of Giant isn’t shown in the final artwork.
The other type is Steile Futura, an underrated 1950s design by Paul Renner, which has nothing to do with the original Futura just named that way to capitalize on its success.