Source: twitter.comImage: Bibliothèque Fornay. License: All Rights Reserved.
Marcel Jacno’s eponymous Jacno (Deberny & Peignot, 1950), paired with red caps from Europe – the name under which the French foundry cast their version of Futura. Back then, no-one felt the need to retouch the ferry’s impressive exhaust fumes.
To celebrate the start of summer, Bibliothèque Forney posted a series of vintage travel posters from around the 1950s and 1960s, promoting vacation in France. A library of the City of Paris, the Bibliothèque Forney specializes in fine arts, decorative arts, graphic arts, and fashion.
These posters stem from the pre-globalization era, and exclusively feature typefaces designed – or at least fonts produced – in France. See the captions for details.
Source: twitter.comImage: Bibliothèque Fornay. License: All Rights Reserved.
Poster by the French railway company SNCF, advertising their touristic autocar (i.e. motor coach) services, featuring Chambord étroit, a condensed member of the Chambord family designed by Roger Excoffon for Fonderie Olive, Marseilles, in 1949. Just like regular-wide Chambord closely follows Cassandre’s Peignot, the condensed is quite similar to the (all-caps) Initiales Peignot étroit.
Source: twitter.comImage: Bibliothèque Fornay. License: All Rights Reserved.
The fortified city of Carcassone and three styles of Adrian Frutiger’s Univers (1957). Although commonly associated with the Swiss International Style, this momentous typeface family was designed at Deberny & Peignot in France.
Source: twitter.comImage: Bibliothèque Fornay. License: All Rights Reserved.
1 Comment on “French tourism posters (1950s/1960s)”
French AF!