Ecce Ojo movie poster Contributed by 205TF on Feb 12th, 2021. Artwork published in February 2021. License: All Rights Reserved. For the poster of the documentary Ecce Ojo directed by Iñès Compan, Bureau 205 used the typefaces Heliuum (Damien Gautier) and Cosimo (Matthieu Cortat). Both are distributed by 205TF. Typefaces Formats Posters/Flyers (3015) Topics Film/TV (1044) Designers/Agencies Bureau 205 (51) Tagged withearly uses (1011)documentaries (77)movie posters (386)staircase glyphs (53)baseline shift (36)stacked glyphs (245)tears (1)type on a face (41)uses by the typeface’s designer (548)clouds (29)Iñès Compan (1)reversed type on an image (582) Artwork location France (1262) Post a comment Name Email – will not be published Website Your response Submit Comment More Cosimo in use Rapport 2009–2018. 9 ans de résidences au centre hospitalier Métropole Savoie2018Huz & BosshardContributed by 205TF Le journal de La Confluence n° 42018Bureau 205Contributed by 205TF Staff Pick Le dernier homme – Johann Rivat2018Bureau 205Contributed by 205TF Sponsor More in Film/TV Shawn & Team2011CoilbookContributed by Aidan Nester Pasolini Roma2013Spassky FischerMaquette & Mise en pageLaure AfchainContributed by Bureau Brut Staff Pick The Young Generation – The Best Of The Young Generation album art1974Robert StaceContributed by Christopher Bentley The Martian promotional campaign2015IgnitionContributed by Garrison Martin More in Posters/Flyers Human Rights Festivalc. 2017Two Digs StudioContributed by JAF Festival Contours 20192019PlaygroundContributed by Lucas Descroix Laatu (2018) movie logo in trailer and posters2018unknownContributed by Paul Grosse Welcome postcards2017René AndritschContributed by Rosetta Staff Pick More Fonts In Use SpaceCollective2006Folkert GorterContributed by Laura Serra Staff Pick Kottke.org2012Jason KottkeContributed by Patch Hofweber Staff Pick Avelyn & Maggs wedding invitation2015The Counter PressContributed by Stephen Coles Staff Pick DestinAsian #66, June/July 2012 “Island Issue”2012TMBRWNContributed by Florian Hardwig Staff Pick