Designed Landscapes: Brussels 1775–2020 Contributed by 205TF on May 26th, 2022. Artwork published in November 2018. Olivier Bertrand. License: All Rights Reserved. For the signage of the exhibition Designed Landscapes — Brussels 1775–2020 at CIVA, Salutpublic (Renaud Huberlant with Olivier Bertrand and Marion Lacoste) used the typefaces Immortel Acedia and Immortel Infra, designed by Clément Le Tulle-Neyret and distributed by 205TF, alongside an unidentified sans serif [edit: it’s Dia, see comments]. Olivier Bertrand. License: All Rights Reserved. Olivier Bertrand. License: All Rights Reserved. Olivier Bertrand. License: All Rights Reserved. Olivier Bertrand. License: All Rights Reserved. Olivier Bertrand. License: All Rights Reserved. Typefaces Formats Exhibition/Installation (751) Topics Architecture (982) Designers/Agencies Salutpublic (1) Olivier Bertrand (3) Renaud Huberlant (1) Marion Lacoste (1) Tagged withexhibitions (261)Brussels (6)type on walls (308)timelines (76)landscaping (9)gardening (30)type series (710)architecture exhibitions (55)multilingual (1511)French (language) (1576)Dutch (language) (323)English (language) (1386)CIVA (1) Artwork location Belgium (292) Brussels (80) In Sets Exhibition (Lucas Bevilaqua) (152) Serif (Lucas Bevilaqua) (190) Sans (Lucas Bevilaqua) (171) 2 Comments on “Designed Landscapes: Brussels 1775–2020” Akira Yoshino says: May 26th, 2022 3:46 pm I looked at images at Behance. www.behance.net/gallery/119… I was able to identify the sans serif typeface thanks to this image: mir-s3-cdn-cf.behance.net/p… The Q and G are distinctive. It’s Dia Regular by Schick Toikka. fontsinuse.com/typefaces/38… www.schick-toikka.com/dia Florian Hardwig says: May 26th, 2022 5:34 pm Outstanding, Akira, thank you! Added. Post a comment Name Email – will not be published Website Your response Submit Comment More Immortel Infra in use Sottises 3, “Digital Issue”2017Clément Le Tulle-NeyretContributed by Clément Le Tulle-Neyret Staff Pick Extended French Theory & The Design Field...2019Building ParisContributed by 205TF Jim Carrey: L’Amérique démasquée2020Sylvain LevrouwContributed by 205TF Sponsor More in Architecture Waikaremoana Tribal Office2016Alan HughesLaw Creative GroupAbodoContributed by Alan Hughes Staff Pick Trinidad & Tobago Housing Development Corporation Annual Report 20172018Agyei ArcherContributed by Agyei Archer Matter Battle2019TwoPoints.NetContributed by Two Points Staff Pick Cyntia Alexandrino visual identity2018Lucas Di SalvoContributed by Lucas Di Salvo More in Exhibition/Installation The Balcony2021StaatsduetJulia WaraksaPavlo RadichContributed by TYPE.WELTKERN® Skrift i Oslo exhibition2020Arve BåtevikContributed by Store Norske Skriftkompani RCPAQAP2017EquationContributed by Darden Studio Monet exhibition, Kunstmuseum Den Haag2019Kunstmuseum Den HaagContributed by Typotheque More Fonts In Use “Extremely large problem” poster2022Inge KetelersContributed by Anastasia Balashova (Contrast Foundry) Staff Pick Erkin Koray – “Arap Saçı” / “Tımbıllı” single cover1976unknownContributed by Quentin Schmerber Staff Pick Brumath-Brocomagus — Capitale de la cité des Triboques2015Clémence MichonMichelinesLine CéloContributed by Production Type Staff Pick “Offenbach ist nicht Berlin”, Robert Johnson2022Lucas HesseContributed by Kilotype Staff Pick
2 Comments on “Designed Landscapes: Brussels 1775–2020”
I looked at images at Behance.
www.behance.net/gallery/119…
I was able to identify the sans serif typeface thanks to this image:
mir-s3-cdn-cf.behance.net/p…
The Q and G are distinctive.
It’s Dia Regular by Schick Toikka.
fontsinuse.com/typefaces/38…
www.schick-toikka.com/dia
Outstanding, Akira, thank you! Added.