Referencing the aesthetics of Soviet residential housing of the 1950s, Elizaveta Dedova’s student project made in Svyat Vishnyakov’s typography course at Bang Bang uses Norbert Breit and its Cyrillics.
On type.today’s journal, Elizaveta Dedova writes:
I found Norbert Breit on type.today and fell in love with it. I figured out that, despite its expressiveness, it was highly versatile and could bring together all parts of my project, very fragmented visually.
I began trying it in every possible way on various media, even thought of dropping it — Norbert was about to steal the spotlight, showing its personality a bit too much. But we somehow got used to each other, I’ve changed graphics to fit it in, removed the unnecessary.