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RUFA Annual Report 2016

Contributed by intornodesign on Jan 6th, 2023. Artwork published in
circa 2017
.
RUFA Annual Report 2016 1
Source: www.behance.net Eleonora Cerri Pecorella. License: All Rights Reserved.

The RUFA Annual Report 2016 was designed by Intorno Design (Guido Lombardo, Tommaso Salvatori, Giampiero Donno, Roberta De Cristofaro, Matteo Sampaolo). The report collects the best of the academy’s dense annual educational and creative production.

Inside, the use of an expressive typography, photography combined with artwork in magenta thread, a free layout and visible binding aim to evoke the multidisciplinary characteristic of the school, made up of art and design contaminations and stratifications.

The design makes early use of Jim Ford’s Posterama (Monotype, 2016), mainly in the 2001 style, combined with Eric Olson’s Klavika (Process).

The poster shows the various actions that have been implemented, while the blank offset cover features a letter written by the lecturer to a future student.
Source: www.behance.net Eleonora Cerri Pecorella. License: All Rights Reserved.

The poster shows the various actions that have been implemented, while the blank offset cover features a letter written by the lecturer to a future student.

RUFA Annual Report 2016 3
Source: www.behance.net Eleonora Cerri Pecorella. License: All Rights Reserved.
RUFA Annual Report 2016 4
Source: www.behance.net Eleonora Cerri Pecorella. License: All Rights Reserved.
RUFA Annual Report 2016 5
Source: www.behance.net Eleonora Cerri Pecorella. License: All Rights Reserved.
RUFA Annual Report 2016 6
Source: www.behance.net Eleonora Cerri Pecorella. License: All Rights Reserved.
The insert of 16 pages of different formats, printed in two colors, features one of the main events of the past year: RUFA contest.
Source: www.behance.net Eleonora Cerri Pecorella. License: All Rights Reserved.

The insert of 16 pages of different formats, printed in two colors, features one of the main events of the past year: RUFA contest.

“Extra” and “Diary” are set in Posterama 1913, with stacked glyphs.
Source: www.behance.net Eleonora Cerri Pecorella. License: All Rights Reserved.

“Extra” and “Diary” are set in Posterama 1913, with stacked glyphs.

RUFA Annual Report 2016 9
Source: www.behance.net Eleonora Cerri Pecorella. License: All Rights Reserved.
The product is printed in six colors with the use of neon Pantones 802 and 806.
Source: www.behance.net Eleonora Cerri Pecorella. License: All Rights Reserved.

The product is printed in six colors with the use of neon Pantones 802 and 806.

1 Comment on “RUFA Annual Report 2016”

  1. The Posterama is one of the early fonts I bought. Fortunately, it still has a reasonably moderate price. I don’t have the Klavika, I would probably have to replace it with the Klint. But: an interesting combination, this Klavika & Posterama.

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