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Room & Board 2014 Catalog

Contributed by Stephen Coles on Jan 2nd, 2014. Artwork published in .
    room-and-board-2014-catalog-2.png
    Source: http://catalogs.roomandboard.com License: All Rights Reserved.

    For the last few years, the printed catalogs, website, and other identity elements of mid-range furniture supplier Room & Board have used Adrianna. As a long-time fan of the company, I’ve always felt the brand deserved a typeface that better represented the quality of their goods. Adrianna, a pastiche of 20th-century sans serifs like Venus, Adonis and Standard Extra Light Extended, is not well drawn. The italic is essentially a mechanically slanted roman. The typeface is passable In all-caps (as shown on the cover) but the lowercase reveals a lack of craftsmanship unworthy of the company. The long stretches of light, tightly-spaced Adrianna text in this catalog are an unpleasant read. 

    The catalog and website designers recognize Adrianna is not capable of delivering small text and use Gill Sans for those settings instead. But this too is an odd choice — a very British typeface for an American company that very proudly produces many of its products in its home country.

    Room & Board’s logo was created in the early 1990s by Pat Thompson under the direction of Julie Weil, the in-house design director at the time. It is a modified Adobe Garamond with a retracted ‘R’ and ampersand, and a ligated ‘ar’ to accommodate the tight spacing. It’s bland, but ok.

    There are plenty of American-made sans serif families that would suit R&B’s quiet modernism, contrast with the stuffiness of the logo, and supply the range of styles required for all their communications. They could still source the type straight from the Midwest, where they are based and where much of their furniture is made. The multitude of options include Locator by Eric Olson (in Minnesota), Agenda by Greg Thompson (born in Nebraska), Alright Sans by Jackson Cavanaugh (in Chicago), Proxima Nova by Mark Simonson (in Saint Paul), and Relay or Antenna by Cyrus Highsmith (born in Milwaukee).

    And if R&B wants to stick as close to their current wide gothic style as possible, I can’t think of a better option than the very American Sweet Sans. (Hat tip to Maxim Leyzerovich for the suggestion.)

    room-and-board-2014-catalog-cover.png
    Source: http://catalogs.roomandboard.com © Room & Board. License: All Rights Reserved.
    room-and-board-2014-catalog-back-cover.png
    Source: http://catalogs.roomandboard.com License: All Rights Reserved.
    room-and-board-2014-quote.png
    Source: http://catalogs.roomandboard.com License: All Rights Reserved.
    room-and-board-2014-catalog-outdoor-spread.pn
    Source: http://catalogs.roomandboard.com License: All Rights Reserved.

    Typefaces

    • Adobe Garamond
    • Adrianna

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    1 Comment on “Room & Board 2014 Catalog”

    1. JLT says:
      Jan 2nd, 2014  4:36 am

      Shaker Rule of Thumb?! Isn’t that the William Morris quote, paraphrased, that the Arts & Crafts movement is based on? The original is “Have nothing in your houses that you do not know to be useful, or believe to be beautiful.”

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