Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single “Eleanor Rigby” / “Yellow Submarine”. The album was the Beatles’ final recording project before their retirement as live performers and marked the group’s most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds and lyrical content. […]
Voormann’s artwork was part line drawing and part collage, using photographs mostly taken over 1964–65 by Robert Freeman. In his line drawings of the four Beatles (McCartney, Lennon, Harrison and Starr, clockwise from top-left), Voormann drew inspiration from the work of the nineteenth-century illustrator Aubrey Beardsley, who was the subject of a long-running exhibition at London’s Victoria and Albert Museum in 1966 and highly influential on fashion and design themes of the time. Voormann placed the various photos within the tangle of hair that connects the four faces.Turner writes that the drawings show each Beatle “in another state of consciousness”, such that the older images appear to be tumbling out from them.
The title on the front cover is set in caps from Grotesque No. 9.
1 Comment on “The Beatles – Revolver album art”
Love every. Records they. Made.