The Miles Davis Quintet – Miles album art
This curious sleeve doesn’t fit in with the rest of the mid-1950s cool jazz aesthetic. Duotone photography was commonly used in the genre, but that’s where the familiarity ends. The lime green color (later issues were blue); the large, brushy title, set dead center; and the bleak scene of arthritic trees along a nondescript canal – it’s all a bit mysterious. It gives off similar vibes to Marcus Keef’s spooky cover for Black Sabbath. The only sense I can make of the image choice is that Miles Davis’ quintet recorded this session in the fall (November 16, 1955).
The typeface is Haymaker Cartoon, an extrabold sign painter’s or showcard writer’s “casual” that appears in Photo-Lettering’s 1965 catalog, but must have been available a decade earlier to be used here.
While the back cover (set almost entirely in Vogue) doesn’t include attribution, Discogs credits the design to Gil Mellé, a musician and painter who created a handful of 1950s covers for Blue Note and Prestige featuring dynamic abstract art. While I love Mellé’s work, this minimalist oddball stands out, and that charms me.
Thanks to Gary Hornseth for bringing this gem to my attention via the lovely Jazz Tome website!
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2 Comments on “The Miles Davis Quintet – Miles album art”
I can confirm that Haymaker Cartoon was already shown in PLINC’s 1960 catalog – but not yet in the one from 1950.
“The New Miles Davis Quintet” looks like it could be Tempo Heavy. At least the M and Q suggest as much. Like Vogue, Tempo came with various alternates, but I haven’t seen such a Futura-style S yet.
Thanks for catching. The S may be from a different font!