Fan fiction magazine Danke is a biannual literary journal edited by Marion Regenscheit and Lucien Haug. In Danke, authors find space for a new, constructive approach to (old) texts. This year’s edition is themed “The Heidi issue”.
Display fonts of different type foundries and type designers supplement every issue. Among them are KTF Roman, KTF Jermilov, KTF Rublena, and KTF Tiemann by Kyiv Type Foundry. The designer – Dual Room’s Emmanuel Crivelli – also uses Cornbread, OCR-X and Selecta from Maxitype, plus BC Monument and BC Unciala by Briefcase Type Foundry.
The magazine’s editorial team consists of Lucien Haug, Marion Regenscheit, Richard Stoiber, Dorothee Elmiger, Chris Möller, and Mazlum Nergiz, together with the authors Johny Pitts, Enis Maci, Simoné Goldschmidt-Lechner, Hendrik Otremba, Marina Skalova, Clemens J. Setz, Anna Gien, Leonie Ott, Lotti Spieler, Leo Lemke, Tania Röttger, Dominic Oppliger.
3 Comments on “Danke fan fiction magazine, no. 2, “The Heidi issue””
I’ve added KTF Hertwig which is used for “Dominic Oppliger”. Also, “Lotti Spieler” is so close to Totally Gothic; I’m inclined to think it’s either a modification, or lettering based on Licko’s typeface – added.
Fonts used for this magazine issue that are still unidentified include:
• the handwritten sans with rounded terminals for “The Heidi Issue” and also “Johny Pitts” on the title page
• the spotty one for “Anna Gien”
If you have any insights, please tell us.
I think the spotty one for “Anna Gien” and the ‘destroyed’ type for “Hendrik Otremba” could be part of Maxitype’s upcoming release: 40 display typefaces that were “designed mostly during the hot summer type residency programmes (2022–2024) held by Maxitype and friends”.
Good link! Yes, that’s possible.
For “Hendrik Otremba”: I assumed it was several styles from OCR-X, layered on top of each other. But yes, maybe this approach led to a ready-made font created during one of the residency programs. We’ll see.