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Languages of Art by Nelson Goodman

Contributed by Benjamin Shaykin  on Jan 17th, 2026. Artwork published in .

3 Comments on “Languages of Art by Nelson Goodman”

  1. Thank you, Benjamin!

    What caught my eye is Westminster being used by a publisher in the United States. This early fontification of the MICR aesthetic was initially available exclusively from British company Photoscript. As far as can tell, Westminster didn’t see wider dissemination before being reproduced in the fourth volume of the Lettera sourcebooks published in 1972.

    So I was curious to see if Bobbs-Merrill’s first edition from 1968 really used the same design as you surmised. Turns out it doesn’t: the book jacket uses a Garamond (possibly Goudy’s Garamont), showing the first word of the title in italic with an initial from Bernhard Schönschrift.

    First US edition of Languages of Art. Indianapolis: Bobbs-Merrill, 1968. Photo: True Oak Books

    But the first British edition, published by the Oxford University Press in 1969, does indeed feature the same design for the jacket!

    It looks like Bobbs-Merrill liked the more modern approach taken by their colleagues from across the pond, and adapted the design for their own paperback edition.

    First UK edition of Languages of Art. London: Oxford University Press, 1969. Photo: True Oak Books

  2. BTW, the letter s was flipped in the title (but not in the author’s name).

    Compare to this use of Westminster for a book on cybernetics published by Studio Vista in 1971:

  3. Thank you, Florian! I am, as always, humbled by your knowledge and research.

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