Distinguish the Limit From the Edge by Theresa Hak Kyung Cha and Jimmy Robert
Focal is used throughout this beautifully designed spiral-bound book about an intergenerational dialogue between two artists.
From publisher Book Works:
distinguish the limit from the edge is an intergenerational dialogue between Theresa Hak Kyung Cha and Jimmy Robert. Their connection emerges through the intersection of text and image between selected work from Cha’s oeuvre and Robert’s practice that share the formal strategies of the fold.
Robert’s work utilizes paper as a sculptural material, and his hand sometimes appears to shape the page. For Cha, the fold is present in her compositions enmeshing language through strategies of visual poetry, as in L’Image Concrete feuille L’Objet Abstrait (1976), and Untitled (après tu parti) (1976) which are both previously unpublished. The possibility of overlaying one’s work with the other, emphasised by the book’s spiral-bound double spine, and reverse fold-outs, forges an intimacy, a shared sensibility, and an encounter with the corporeal. In conversation with editor Jacob Korczynski, Robert refers to Fred Moten’s In The Break, stating, ‘Suddenly time falters. Words don’t go there. And if words don’t go there, then what does?’
The designers of Wolfe Hall comment on the binding:
Two distinct book blocks, one for each artist, are bound from either side of a central backing board, inviting the reader to interweave, overlay, and encounter each practice uniquely.
