Eye, No. 7 Vol. 2, 1992 Contributed by Stephen Coles on Mar 24th, 2015. Artwork published in 1992. Source: https://www.flickr.com License: All Rights Reserved. One of the earliest uses of FF Trixie, which was released the previous year in 1991. Typefaces Formats Newspapers (200) Topics Graphic Design (1978) Designers/Agencies Stephen Coates (4) Tagged withmagazine covers (885)Eye (magazine) (4)blue (520)big type (883)early uses (1009)cropped type (223)piles of glyphs (71)black and blue (82) Artwork location United Kingdom (1815) London (1007) Post a comment Name Email – will not be published Website Your response Submit Comment More FF Trixie in use Legends2014unknownPhoto(s) by Joe Clark on Flickr. Honig by Ian McEwan (Büchergilde Gutenberg)2014Wolfgang SchaperContributed by Florian Hardwig Girl Scouts2011Park&CoShawn HardyContributed by Fonts In Use Staff Sponsor More in Graphic Design HKS adverts in Slanted magazine2012CLMNZClemens HartmannContributed by Gareth Hague “The Impact of Impact” typeface advert brochurec. 1965Ken DickinsonStephenson BlakeContributed by Thiago Staff Pick Papierfabrik Fleischer letterheadc. 1960unknownContributed by Stephen Coles Staff Pick FontBook.com, 2006PunchcutPhoto(s) by Stephen Coles on Flickr. More in Newspapers Los Angeles Times2008Roger BlackJoe HutchinsonContributed by Font Bureau “About the Typefaces Not Used in This Edition” — Jonathan Safran Froer, The Guardian2002David HillmanContributed by Blythwood Staff Pick Die Rote Fahne, #1 (9 Nov 1918) and #16 (16 Jan 1919)1918Contributed by Florian Hardwig Blog Eskilstuna-Kuriren2012Eskilstuna-KurirenContributed by TypeTogether More Fonts In Use Poster for Djoon Club, Paris2010Photo(s) by Pawel Janczarek on Flickr. Staff Pick Atelier 7 Brochure for Stedelijk Museum1970Wim CrouwelJolijn van de WouwTotal DesignContributed by Stephen Coles Staff Pick Entertainment Weekly magazine, #1547/1548 “Oscar!”, 20192019Entertainment WeeklyChuck KerrErica BonkowskiContributed by Juan Parra Staff Pick “Lohngleichheit Punkt. Schluss!” equal pay campaign2018Studio NOIContributed by TYPE.WELTKERN® Staff Pick