Ristorante Pizzeria La Bohême Contributed by Florian Hardwig on Nov 16th, 2015. Photo: Florian Hardwig. License: CC BY-NC-SA. This is Engravers Old English, easily recognizable by the dangling ‘h’ descender which it shares with the more delicate Wedding Text/Mariage. The shape of the circumflex accent suggests this is Bitstream’s digitization. La tipografia di ristoranti a Tropea, 1/2: One restaurant, three different typefaces. Not unlike with Volksbühne Berlin, the identity here is in the genre, rather than in one specific typeface. Photo: Florian Hardwig. License: CC BY-NC-SA. Another sign, another typeface from the Textura genre: This is Cloister Black. It can be easily told apart from the similar Old English by the spur to the left in ‘h’ (also present in ‘b’ and ‘k’). Photo: Florian Hardwig. License: CC BY-NC-SA. The sign above the entrance uses yet another broken script. Lucida Blackletter (1992) doesn’t belong to the same group as the others, though. With its more cursive forms, it can be described as a contemporary Bastarda. It is less hard to decipher than a Textura. However, this advantage is ruined by the unfortunate mounting/lighting which renders the letters almost illegible. Typefaces Formats Signs (1817) Branding/Identity (6680) Topics Food/Beverage (2559) Tagged withrestaurants (405)signs (503)type on a curve (869)blackletter (255) Artwork location Italy (785) Tropea (2) Post a comment Name Email – will not be published Website Your response Submit Comment More Cloister Black in use Kermit Leslie & His Orchestra – Auf Wiedersehen album art1962Murray SteinThe Composing Room, Inc.Photo(s) by Bart Solenthaler on Flickr. Hotel Altamira (Santillana del Mar) sign1960Photo(s) by Catherine Dixon on Flickr. Royal Mail Christmas Bible2011Magpie StudioContributed by Florian Hardwig Sponsor More in Food/Beverage Wild & Coco packaging and visual identityc. 2018alishu & coContributed by Alina Shupikov Staff Pick Christmas dinner menu at the Wright House1883unknownContributed by Stephen Coles Inka Lunchware2020Elizabeth GoodspeedClay HicksonIan ShiverContributed by Elizabeth Goodspeed Staff Pick Levy’s ad campaign: “You don’t have to be Jewish” (1961–70s)1961Doyle Dane BernbachWilliam TaubinContributed by Stephen Coles Staff Pick More in Branding/Identity Mélange identity2023Caramba AgencyContributed by Caramba Agency Staff Pick Katea identity and website2020Clara Briones VediaHermes GrauContributed by Clara Briones Vedia Crab Championsc. 2023Eoin O'BroinContributed by Daniel McQueen (TDF) SNCF Intercités2013TBWATBWA\ParisContributed by iemg More Fonts In Use Slaughterhouse-Five, first edition1969Paul BaconContributed by Nick Sherman Staff Pick Verse Lucht bicycle parking2006John KörmelingContributed by Matthijs Sluiter Staff Pick Peter Demulsant portfolio website2020Tiffanie MazellierContributed by Tiffanie Staff Pick The Grand Budapest Hotel poster and props2013Annie AtkinsContributed by Andreas Kofler Staff Pick