Poster and schedule for a two-day experimental music festival in Lyon, organized by Le Périscope. The name Tournée Générale means “Drinks All Round” in French, referring to the particularity of the event: the 12 concerts take place in 12 different bars, with a schedule where the audience moves each hour from one place to another.

In the second episode of Disney+’s TV series Call My Agent Berlin, one of the main protagonists uses a dating app that tells her “You Matched!”. This notification is set in Finlay by supertype.

Nerd note: The u and the d are not quite correct because in both cases the “fina” version of each character (last in a sequence) should have been automatically applied. I can only assume that Adobe’s After Effects was used to create the visual, which infamously still (in 2026!) lacks support for OpenType features!

From Wikipedia:

Faster, Pussycat! Kill! Kill! is a 1965 American exploitation film directed by Russ Meyer and co-written by Meyer and Jack Moran. It follows three go-go dancers who embark on a spree of kidnapping and murder in the California desert.

The film is known for its violence, provocative gender roles, and eminently quotable “dialogue to shame Raymond Chandler”. It is also remembered for the performance of star Tura Satana, whose character Richard Corliss called “the most honest, maybe the one honest portrayal in the Meyer canon and certainly the scariest”. Faster, Pussycat! was a commercial and critical failure upon its initial release, but it has since become widely regarded as a cult classic and influential film.

The title card for the film brings together two styles from Dom, Dom Diagonal and the upright Dom Bold. “Kill! Kill!” is in Stymie Black Italic. The two smaller lines at the bottom are set in Futura.

As Hungary’s TISZA Party rises to national prominence ahead of the 2026 election on April 12, a considered typographic choice has become central to its visual identity. TISZA (short for Tisztelet és Szabadság, “Respect and Freedom”) positions itself as a clear alternative to long-dominant Fidesz rule, promoting anti-corruption, economic renewal, and strengthened ties with the EU and NATO – all themes that call for messaging that feels legible, modern, and trustworthy.

TISZA’s visual team selected Luma Sans as the core typeface for campaign communication, applying its geometric precision and humanized shapes across podium signage, social templates, posters, and long-form text. The choice reflects three core needs: Clarity and Readability, Modern Authority, and Multilingual Support.

In TISZA’s typographic system, medium weights anchor headlines and calls to action, lending confidence to key messages. Lighter weights support policy summaries and longer prose without losing rhythm or readability. The result is a disciplined yet flexible visual voice that performs equally well in high-pressure public environments and digital spaces.

By rooting its identity in a modern, human-centred sans-serif, TISZA reinforces its political narrative: an alternative grounded in clarity, openness, and pragmatism.

The dynamic logo is custom drawn.

ESIETE created a brand for Hotel Wine Fest that merges elements of the wine world with typography, creating an icon that is easy to recognize and remember. The dynamic logo adapts to both online and offline formats and applications.

The first campaign reinterprets a distinctive element of the hotel, the hanger, transforming it into a piece with double meanings that invites, with elegance and a casual touch, to enjoy the event.

For the Hotel Wine Fest’s 3rd edition, we developed the campaign’s visual framework for a city-wide festival staged across Barcelona’s landmark hotels. The system builds on the award-winning format of earlier editions (ADG Laus Silver 2025, Logo) and updates it with a new “blend”: lighter, more playful messaging and a flexible layout logic designed to travel across formats—from posters and digital banners to on-site applications. Taking a more illustrative approach compared to previous years, which were driven by typography.

French CD single front cover

This single from Dimitri from Paris’ retro-inspired debut album Sacrebleu features two frilly fonts: Holiday – and specifically its Extra Flair style – (song title, speech bubbles) and Viola Flare (Dimitri credit, stereo indication). Non-frilly Helvetica Compressed is utilized for the back cover and spine.

The song’s accompanying animated music video, with a plot that’s a cross between Pepé Le Pew and To Catch a Thief, has a mademoiselle pursued by a stereotypical Frenchman during her Paris sightseeing. All the while, more examples of Holiday and Viola (with liberal use of alternate glyphs) are present in almost every scene.

Based on the glyph sets I have seen for Holiday, there are no diacritics provided in that typeface. So, the é and ç in the title are likely custom modifications. Note the discrepancy in the title’s diacritics on the single cover and throughout the music video.

Visual credits on the single are given as follows: “Cover art Genevieve Gauckler. Characters by Kuntzel + Deygas.” I take ‘characters’ to mean the cartoon characters and not typography, as the music video is listed among Kuntzel + Deygas’ music-related work on their website.

[More info on Discogs]

UK CD single front cover

French CD single back cover

The Wiggles are a group of children’s entertainers from Sydney. The cover of their 24th album, released in 2006 on ABC Music, has the title set in Holiday, while the text on the “15th Birthday” logo is in Gill Sans Heavy. The Wiggles logo is based on Corinthian.

[More info on Discogs]

This “little book of manners” for toddlers was written and illustrated by Karen Katz. First published in 2002, it was reissued in 2011, with different fonts.

The shown edition has the title in Spumoni LP. This bouncy take on a bold Bodoni is Garrett Boge’s 1990 revival of Free Roman, an alphabet drawn by Ross F. George and included in the 1952 edition of the Speedball Text Book. It’s paired with tracked out Triplex Sans. The fonts inside the yellow circle are FF Sunday and Sunday Best Solid Oblique.

From Penguin Random House:

“Please” and “thank you” are fun and easy to remember with Excuse Me!. Simple and repetitive, it’s the perfect way to introduce those magic words that all little ones should know. From burping to breaking a sibling’s toy, toddlers will love seeing these appealing babies in situations they know all about, and they’ll have fun lifting the flaps to discover the right words to say—“Excuse me!” and “I’m sorry!”

Global image direction by Paris-based design studio Feelings for artist Danyl’s first album ZMIG (2026) and the accompanying campaign, including a shirt for shows in fall/winter 2025/2026, a poster for the Sprinter Tour 2026, and an announcement for the concert at Zénith Paris in November 2026.

The collegiate slab serif appears to be Weichi He’s LL Champion (Lineto, 2024). It’s supported by Axel Pelletanche Thévenart’s Dank (Ornamental & Title Type, 2025). There’s also another sans and an Arabic font (for “دانيل زميڨ”) which are yet unidentified.

Door to Door Orgy! is an adult novel by Cliff Jones, published in 1974 by Bee-Line Books.

Calypso is used for both the title and the author’s name. The tagline uses Helvetica. The text in the corner is in News Gothic.

Source: www.instagram.com License: All Rights Reserved.

Kit’s gone glamping! The modern rounded sans by Darden Studio helps Park Lane Holiday Parks to advertise their family-friendly getaways. Kit Rounded features in a range of its eight weights for sale announcements and other social media posts.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Vitamiin in use for Hüvasti, noorus! / Bye-bye, Youth! – an exhibition and a publication by the Estonian Health Museum, curated by Ülle Kask and Anna Rinaldo. Graphic design by Viktor Gurov with Martin Merirand, exhibition architecture by Valge Kuup Studio.

From the museum’s website:

No one remains indifferent to aging. Each person has a deeply personal and unique relationship with it. For some, it signals a gradual retreat from active life, while for others, it brings newfound freedom and the joy of new challenges.

Candid reflections by Laura Kalle, Marju Karin, Haide Männamäe, Toomas Tross, Valner Valme, Tõnu Õnnepalu, Helgi Põllo, and Margus Mikomägi offer a chance to connect with different aspects of aging and to seek balance and meaning at every stage of life.

Bouillon Notre Dame is a restaurant in the historic center of Dijon, France, located directly opposite the Church of Notre-Dame.

It is currently undergoing renovations. The construction hoarding, used to conceal the work from the public, features the restaurant’s logo in Cako Black, along with various information set in all-caps Chaumont Script.

The same combination is also used on the restaurant’s website – there with Chaumont Script in mixed case, and supported by Prompt and Linotype Didot for text.

Mockingbird’s paperback edition of The Phantoms of Dixie, “a survey of ghostly phenomena in the South” by parapsychologist Hans Holzer (1920–2009).

Firsthand accounts of psychic experiences; of ghosts seen or heard; of rickety houses and stately mansions whose otherworld inhabitants share the appointments with flesh-and-blood people.

The unknown cover designer looked for an aptly chilling typeface … and settled on Supercooper, a bottom-heavy variation of Cooper Black, issued by Phil Martin’s Alphabet Innovations in 1970. Is it convincingly ghostly? You decide.

Pony Scouts is a series of ten books written by Catherine Hapka and illustrated by Anne Kennedy. It was published between 2009 and 2014 by HarperCollins in the Level 2 tier of the I Can Read! library.

Titles are set in Nick Shinn’s FF Fontesque Sans, with shadow effect, while the Pony Scouts logo uses Leticea Bumstead by Phoenix Woodrow. The “I Can Read!” series title is in Horley Old Style, integrated into a curved ribbon, with Gill Sans used for “reading with help”.

Since its inception, photography has captured defining historical moments, serving as either a tool or a document of protest. Flashpoint! explores the diverse roles and varying aesthetics that photography in print undertakes in its support of protest and resistance.

Ruder Plakat and a custom version of Luca Pellegrini’s Electa were used throughout the book. Ruder Plakat, based on Emil Ruder’s poster type which was developed with students at Allgemeine Gewerbeschule Basel (AGS), served as the perfect display font for a project about civil resistance. Electa, in turn, was used for all body text as well as meta data, captions and references. Being the result of Luca’s obsessive study of an Olivetti typewriter, its historic charm with strict sophistication performed in pretty much every setting we put it in.

The book was edited by Russet Lederman and Olga Yatskevich and published by 10×10 Photobooks:

Flashpoint!, an anthology focusing on protest photography in print, presents a global selection of photobooks, zines, posters, pamphlets, independent journals and alternative newspapers that address protest and resistance from the 1950s to the present.

Let’s act more beautifully!

It is the little things that are the most beautiful. Things you don’t need and absolutely want. When jewelry and flowers come together, a contemporary general store is created. Featuring finely curated favorite pieces. Small labels with a sense of aesthetics, a love for detail, and beautiful stories behind them. A space for artists and craftspeople.

A beautiful plot!

schöne Handlung is a contemporary store at Untere Bachgasse 1 in Regensburg, Germany. It was founded in 2025 by Hannah Rembeck and Alexandra Hummel.

Poster design by Paula Scher of Pentagram, featuring Garage Gothic typeface by Frere-Jones Type.

Shakespeare’s Taming of the Shrew was presented by the New York Shakespeare Festival/Public Theater at the Delacorte Theater in Central Park from August 10th through September 5th, 1999, together with Molière’s Tartuffe.

From Playbill:

Tartuffe concerns a venal and libidinous religious hypocrite who holds a household under his thrall until being exposed for what he is. When first presented in 1664 France, the sharp satire created such a furor that the pious of Paris suppressed the play. It was not performed for another three years, and then in an altered version.

The Lennon Sisters Today!! is a 1968 vinyl record album by The Lennon Sisters released on Mercury Records. This is a compilation of popular songs from their era. “The” is set in Nymphic with the title being Neil Bold. And the song titles are in Anzeigen-Grotesk / Neue Aurora IX

[More info on Discogs]

Oklahoma! is the first musical written by the duo of Rodgers and Hammerstein. The original Broadway production opened on March 31, 1943.

This album with “selections from the Theater Guild musical play […] featuring members of the original New York production” recorded 20 and 25 October was first released by Decca in 1943. The 25th anniversary edition from 1968 introduced a new cover design, featuring an illustration by James Alfred Meese and Americana and Folio for the typography. Americana is used with an enlarged initial and exclamation mark. The line at the top – with extrabold caps from Helvetica filled with “lightbulbs” – was added for a 1973 issue, now by MCA Records. The shown copy is from 1980, with unchanged design, apart from the “Platinum Plus” seal at the top right.

[More info on Discogs]