Syncro “is a growing set of distinct styles. It rejects the idea of linear (interpolated) styles from thin to bold but offers convenience in mixing type within editorial projects. The initial release of Book, Italic, Mono and Mono Italic build the sturdy foundation. Bold Extended and Script will follow later […] The study of Ronaldson Clarendon by Alexander Kay for L. Johnson & Co (1885) was the starting point for Syncro Book.” – Out of the Dark